And we dive into the Ginny box! This time with Three Days to Dead by Kelly Medling.
Evangeline “Evy” Stone has been dead for a few days. Not that you would know it, since she’s still walking around. Just…not in her own body. She doesn’t remember what happened, not even how she died, for the last couple of days. All she knows is the other members of her team are dead, her organization has a kill order on her, and someone brought her back from the dead for a reason. She doesn’t know who to trust, but what she does know is she has a deadline before she goes back to being dead to figure it all out.
…Sorta… I’ll get there.
Let me start off by saying, this book started off so strong. I mean, amazingly strong, I had high hopes. The female lead was strong and powerful, completely capable of taking care of herself but also with working as part of a team. The male lead had an actual fault that came around to bite him in the ass. Hugely. Multiple times even. There was a healthy bit of mystery, an obvious plot going on that I could track. The setting was described just well enough that I knew how things appeared without it getting in the way, and I really liked the world building that was done with the gargoyles and the vampires.
Okay, the only nitpick I had was there were a lot of terminology being thrown around for the various fantasy creature. Bloods, Halfies fae and Fair Folk, blah blah blah. Pick a word and stick with it, please.
The problem started roughly in the third act. To begin with, we had the restoration of part of Evy’s memory, which included a violent rape which is part of how she died. We all know that I hate rape as a backstory or even in plots at this point, it’s just never handled well and I think it just helps spread its power over women, which is screwed up. I will give Medling credit, since Evy does have issues from the rape that remain, so she isn’t instantly better. But I still don’t like it, especially since it felt rather unnecessary at that point. We had known it had been a violent death, and torture had been part of it. Did we really have to go down the rabbit hole of fantasy rape? I don’t think so. It was done to add more layers of drama.
And then things got weird. It had started out really well as this gritty, urban fantasy mystery story, with the fae sort of being mentioned but not being the focus. And then suddenly, we’re thrown into not only fairies and gnomes and earth spirits, but summoning of some Big Bad, Bad Guys who have had various names throughout history. I was tracking a bigger-purpose behind what all had happened besides it being a bit personal against Evy, but this took it too far. I was left wondering what happened to the book I had started with, since this wasn’t it.
Final nail in the coffin: the ending for the romance. Through most of the book, it had been established that one was going to die or the other. The whole thing felt very shoe-horned in to begin with, since Evy wasn’t set up to love the character the same way, but he kept pushing his affections on to her until she agreed to them. But because the writer had written herself into a corner, she actually broke her own rules of magic in order to save her (rather weak) romance. I was annoyed.
Signs that a book is very good but has a bad ending is I will unconsciously try and fix it. About two days after reading this book, just that happened. I probably would have cut (most) of the fae aspects out, focusing on our main villain. He could be up to many of the things we saw earlier in the book with strange creatures appearing, but I’d give him a different goal, since there is a lot that he could have been doing. Then, I honestly would have left the love interest dead, kicked Evy over to the Handler who just would not die, which makes him all sorts of awesome, and is old enough that feelings won’t make things unnecessarily complicated on either side, and then bam, room for new love interest in a second book. An easy fix, but someone just didn’t see it.