Part 2 of my little series here, this time with the anime that got me interested in the franchise to begin with. I think Blood + will always be my favorite anime, so it’s nice to review it and share some of why I love it so much.

Much like Blood: The Last Vampire, the series follows Saya on her hunt for monsters. But there were some definite changes for the anime series. For one, Saya begins the first season as a normal high school girl and part of an adopted family. A monster attacks her school one night, trapping Saya. But a mysterious man known as Haji forces her to drink his blood, hypnotizing Saya. She uses a sword laced with her own blood to crystalize the monster. At first, Saya is horrified by what she’s done, and refuses to fight, despite the near-orders from a man named David on behalf of Red Shield. But when her father is injured and almost turned into one of the monsters, she takes the first steps on her journey. It takes four seasons for the truth to come to light about Saya’s past and her relation to the enemy Red Shield is sworn to fight. In the process, we are given a huge cast of colorful characters, each adding another piece to the past and to the present. The ending of the anime is full of sorrow and grief, but with an edge of hope for the future.

Obviously, I’m leaving details out of that summary, but that’s because a) it would take way too long to summarize four season (fifty episodes) neatly and b) I don’t want to spoil anything. Animation wise, it’s spectacular for its time and it still holds up today, at least in my opinion. Saya’s skirt length in the first half annoys me a little, but it gets better, so I let it go. When it comes to the historical character designs, they did very well with the costumes being authentic. Lewis’s design is a little racist, but I’ve seen much worse in anime, and all things considered, I let it go. It really doesn’t hit you how bad it is until you look at it in hindsight. The only thing that sort of irks me is there is a bit of generic work for the background or arc specific characters. I wish they had been given a little more effort.

The huge cast of characters and the sheer level of back story might be why I love this series so much. To begin with, for once we don’t have this airheaded whiny baby for a protagonist! Oh happy day! (You have no idea how happy this makes me, seriously.) Admittedly, Saya doesn’t want to fight, and often struggles with being expected to, but I found it didn’t really bother me as much, especially as more and more of her back story came to light. Considering her relation to the enemy, without the hatred she rightfully has for them, she wouldn’t want to fight them. Once her memories are back, it makes a lot more sense, as does her final wish that she managed to get Haji to agree to. And when she comes to terms with what she is, after what it costs her, you can see that she is trying so hard to be tough when all she wants to do is fall apart. Even in the end, that tough part falls aside as her kind nature comes through towards her greatest enemy. It takes the combined efforts of both Kai and Haji to get her to change her mind about what she deserves.

Which gets us to our male leads. For the first two seasons, it’s pretty much Haji and Kai, Saya’s older adopted brother. I could never get behind Kai/Saya, just because they were raised as siblings, plus he was just annoying to me. Very much the usual anime protagonist, thankfully this anime proceeded to smack him down and show him exactly how ill-suited he initially was to help his sister. After he was pretty much removed as a romantic interest, I liked him much better. By then, he had matured a good deal, and was taking his sister’s fight a lot more seriously. Haji came into the series with the obvious markers as being the romantic interest. His devotion to Saya can border on the creepy occasionally, but considering their relationship and what has happened to him over the years, I can’t blame him. He had a horrible burden to carry with him over the years, and he did so out of love. The second half introduces a third love interest, Solomon, who is on the enemy’s side. I’ve always felt like Solomon was just in love with Saya because instinct, or what his big brother Amshel convinced him was supposed to be their instinct, told him he was supposed to. And because he was that sort of dreamer type, he went along with it, even if it went much further than Amshel had intended.

The rest of the cast is far too huge for me to go into detail. There’s Red Shield, there’s the historical allies and enemies, there’s the Sif (my favorites), there’s the Cinq Fleches Group… To go into explaining them would not only spoil the series, but take me more words than I want to spend. I will spend a little time on who is described as the primary antagonist, though I really consider her the secondary one: Diva (Amshel is the primary for me, always will be). My god, she is amazing. I think one of her lines in the end of the series describes her best, “Now Saya, that’s not fair. Only you were treated like a human.” She really raises the question if what is wrong with her is nature or nurture, and she inspires pity from the audience rather than straight hatred, a nice change. As for why the Sif are my favorite… They are set up to be this force to be manipulated, and they fight against it, struggling for survival even as they die one by one, just because of how they are created. I can’t help but wish they would get that chance at life.

Plot wise, there is a lot going on in this series. It really can be divided into two halves: before the destruction of the Red Shield’s headquarters, and then a year after (yep, there’s even a time skip). Before, it really focuses on the memories that Saya has forgotten, and trying to find their main enemy, Diva. There is also the Sif’s sideplot, and the actions of the antagonists, who aside from Diva are leading up to something. Then there is what Diva is wanting, which is really ambiguous at that point in the series. The second half is Saya desperately trying to find Diva before she goes to sleep (her big sleep which lasts for thirty years), while the plans of the Cinq Fleches group, the survival of the Sif, and Diva’s wants all come together in a climactic final two episodes. I really didn’t find a lot of plot holes, and what few there were would have slowed the series down too much, so I can understand why there was no follow-through. Even the timeskip made sense to me. The plans we saw being put in place in the first half need time to ferment, and at least two of the protagonists needed time to grow and deal with their grief. I wish the ending had pushed on the hope aspect (as I’m covertly referring to it) a little more, but that’s a personal opinion, and there’s fanfiction for that.

The setting was possibly the most far-reaching I’d seen in a serious anime like this. It doesn’t stay in Japan like a bad cliche. Instead, it goes from Japan to Vietnam to Russia to France to the US… Very much a global-span, which makes a lot of sense with the plot. Some of the world-building is confusing as it is presented to you, but once you lay it all out after seeing the series, it does make sense. Basically, the world-building on vampires requires a bit of Fridge Logic to make it work. Of course, that’s fine by me, I like that element to a show, where it makes me think about it, as long as it makes sense. Don’t get me started on when it doesn’t. At times, it felt like it was pushing it (my fan theory is that the Sif aren’t created, they were initially real humans, but that only has limited backing. The cloning still feels stupid), but I was able to swallow it while I watching it, and it didn’t kill my love for the story, so I guess it got away with it.

Overall, the show is a bit like a very rich desert. Let’s say one of those giant slices of chocolate cake they serve at Cheddar’s (never eat one alone, seriously. It is meant for sharing. With like, four people). There is a big cast, a complicated story, and an equally complex world, and it takes its sweet time telling it to you so you don’t get overwhelmed. Layer upon layer upon layer. It is one of my favorites, and I definitely recommend it. Just, pace yourself.