Tag Archives: bad plot

Review: Closer to Home

(Forgive me if this is even more rambly than normal, I’m getting over one hell of a cold followed immediately by getting the flu. I delayed posting just to make sure I was in a quasi-decent head-space.)

Probably because the story about Mags’ continued to wind much longer than her normal books, or possibly as a marketing ploy, or maybe even because of a massive time-skip (like more than normal), but either way, Mercedes Lackey actually continued into multiple series with the same character, rather than others dropping in on new protagonists. I love the first series, and since I got all of the others together in a bundle, I thought I would review the second half for the blog, with a possibility of coming back to the others. (Not sure on that, they were pretty tight and I can only gush so much.)

Closer to Home picks up as Mags and the others are returning to Haven. Lena and Bear have settled somewhere with positions, and he and Amily are trying to establish themselves back into their new lives. But to their surprise, an accident that almost costs the King’s Own Herald, Nickolas, his life gets Amily Chosen as the new King’s Own…except her father, also Nickolas, doesn’t actually die! Mags managed to keep common sense among everyone, pointing out that this means there now allows Nickolas a lot of freedom, as well as providing training so that when the prince inherits, his Own is already up to speed and prepared to work with him. And they get at least partially settled quickly, because there’s a massive feud among the nobility that is threatening to send all of Haven up with it.

I was relieved that the cast of characters was changed up a bit with this book. As much as I loved Lena and Bear, the case was getting very blotted by the end of the last series. She weeded out the cast to its main core needed in Haven now as adults, and that let her add new players as needed. (Also, Lena about drove me nuts and I wanted better girl representation.) This story really gave us a chance to see a working couple who weren’t lifebonded, who weren’t well established in that relationship, and they are having to figure out how to make it work through life changes. That’s a huge thing!

I also felt like Misty did something really brave and important with this series, which is addressed the female nobility characters. Every time she’s used them before, it was either part of being life-bonded, or as part of exceptions to how everyone else behaved. This time, she was right in our faces about how the female nobility were supposed to act, and how if you didn’t have the power to do otherwise, acting against it was going to get you slapped down. I felt awful for Violetta, but with the clear explanations of the other women, you could see how she got herself in trouble and while it was unfair as hell, I couldn’t argue against it within the context of the world. And members of the world acknowledge it sucks and it’s wrong, which… since the nobility lasts for a while longer in the timeline, that’s about all it can do.

The plot….ugh, the plot. I felt like she had this one event that she needed to make happen, and then went, “Well, now what? Oh, Romeo and Juliet, with a twist!”…sorta. Like it stopped even being a nod to the plot and went full-on-commitment about halfway through and I’m sitting there going, “I know how this ends, everyone dies, why am I still reading?” She gave it like a half-twist, but it wasn’t enough to save it for me. On one hand, I’m glad she kept it to something besides wars and assassins, that is a welcome change and I applaud her for trying to branch out. I just wish she hadn’t borrowed a very tired and often repetitive plot to do it with. Even the twist was just making “Romeo” even more of a jerk than he is in the original, that isn’t a whole lot of work!

Worldbuilding wise, not a lot got added to here besides like I said, the female nobility finally being touched on as far as what is considered normal. There being “two” King’s Own Heralds is different, but I don’t think it was touched on very much. I think that probably has to do with the shoe-horned feud plot, since she usually does better with a little more original work. I do find Amily’s Gift to be a cop-out. I want to read the one-shot with Lan and see if she mentions it with Pol, who reportedly has a little bit of every Gift. Otherwise, yeah, I’m not horribly impressed with it. I’d have preferred to see real Animal Mindspeech. It’s come up I think once with a character we’ve met for any period of time? But it gets mentioned all the time.

Overall, I wouldn’t call it a disappointing read. I like the characters, and I like some of the world building elements. Considering I’m planning a similar series-split with the same character, it’s almost a study for me on what to do and what not to do. My annoyance over Shakespeare being reproduced is probably a mostly me thing (I see it….a lot…and I’m probably overly salty), so I definitely still recommend this book to others. But definitely read the prior series so you have the attachment to the characters, otherwise this may seem unnecessarily harsh.

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Review: Strange Magic

Random clicking on YouTube unfortunately caught my attention with a female fairy singing Kelly Clarkson’s “Stronger,” which led to much more clicking to figure out what where she was from, and then… I found myself watching a George Lucas film. Why do I do this to myself? Anywho…

Strange Magic tells the story of two kingdoms: the Fairy Kingdom and the Dark Forest. The border is marked by primroses, which are the key ingredient in love potions. However, they don’t exactly have much to do with each other after the main creator of those potions gets captured and locked away. But that’s going to change as the two fairy princesses and the goblin king get caught up in a tangle that only true love can undo.

…I’m not touching any of that to start with. I’m focusing on the good first here. The animation is pretty, if sometimes a little awkward. I think it comes down to character design when things get odd to look at. The quality is top notch, it’s just certain angles and character expressions. But then you will catch a second where it is just gorgeous to look at. I also applaud that the primroses…actually look like primroses. I’ve had to whack a few people who think a primrose looks the same as your stereotypical rose. And even if they don’t necessarily make sense, I think the two different environments are both gorgeous to look at, if for completely different reasons.

Also on my good list are the musical numbers. I am a sucker for music in films, and I find the way it was used in Strange Magic perfect. It’s a lot like films such as Happy Feet, where it is acknowledged that yes, this character is currently belting out a rock ballad, go with it. (Or in Bog King’s case, complain about it.) They picked some great ones for each situation, though I couldn’t decide if casting was done before they decided to include music, or if they just didn’t care about the quality of the singers attached. I think some of them were fine, others just obviously struggled. But there were also some hard songs in there, so I think even trained singers could have had issues with them.

Okay, now for my issues. The characters are sort of fleshed out, sort of…not. I mean, I love Marianne, and I love the idea of her and Bog… I’m not really feeling how it went down in the movie itself because world wise, it doesn’t look like the two species can work together…or does it? (More on this in the next paragraph.)  I feel like we were supposed to like the fairy king, but honestly I think I ended the movie hating him more than I hated Roland, who I know we were supposed to have strong, hateful feelings towards. Also, Sunny was a little creepy, not going to lie, in the same way that the fairy king was supposed to be this nice but not necessarily bright presence and instead there was a whole lot of passive-aggressive toxicity happening instead in what was supposed to be a girl-power type movie. Again though, I love Marianne, and Dawn at least stays true and consistent to her character until the shoe-horned ending.

Ugh, the world building confused me. I wasn’t sure what was going on with all of the other races, and if everything was supposed to be capable of being inter-species or not. Because if not, we’re going to have serious problems due to this whole need for a thing called heirs. But if so, why the big deal about the princesses ending up with non-fairies? Why are only fairies the options at the ball where Dawn is allowed to dance and whatnot? I don’t get it, and because it’s Lucas, I probably never will. Also, the Dark Forest and the Fairy Kingdom were really walking stereotype cliches and that was just painful. And made no sense as to why they were divided like that, or why there was THUNDER in the forest, but it was sunny in the fields of the fairy kingdom.

Oh, and more world building questions. Why does Sugar Plum Fairy look different from all the other fairies? Why do  primroses only grow at the border, that is a very silly rule for a plant that will grow EVERYWHERE,  speaking from personal experience. Why is the BOG King king of the Dark FOREST? Bogs and forests are not the same thing! Why do some of the goblins like Dawn’s singing but others hate it? How sexists are the fairies that Marianne is considered different/unique and yet why does Bog suddenly find her attractive when really, the differences between her and Dawn are REALLY minor as far as he would have been able to notice in the short time he’s known them? Why do all the men folk with fighting skills seem to live in their armor?

(And a stupid nitpick, why does everyone complain about Marianne’s hair being a mess when Dawn’s is soooo much worse?)

Overall, eh. This is a film that was better in clips than it was once all strung together. I’d love to rewrite it and actually fix some of the mess, but that’s going to be a lot of work and probably not something I am going to invest the time in without the promise of a return. So definitely look up the different musical bits, you’ll get the idea of the story from there without having to cringe through some of the sexist and baffling parts.