Tag Archives: bad

Review: Closer to Home

(Forgive me if this is even more rambly than normal, I’m getting over one hell of a cold followed immediately by getting the flu. I delayed posting just to make sure I was in a quasi-decent head-space.)

Probably because the story about Mags’ continued to wind much longer than her normal books, or possibly as a marketing ploy, or maybe even because of a massive time-skip (like more than normal), but either way, Mercedes Lackey actually continued into multiple series with the same character, rather than others dropping in on new protagonists. I love the first series, and since I got all of the others together in a bundle, I thought I would review the second half for the blog, with a possibility of coming back to the others. (Not sure on that, they were pretty tight and I can only gush so much.)

Closer to Home picks up as Mags and the others are returning to Haven. Lena and Bear have settled somewhere with positions, and he and Amily are trying to establish themselves back into their new lives. But to their surprise, an accident that almost costs the King’s Own Herald, Nickolas, his life gets Amily Chosen as the new King’s Own…except her father, also Nickolas, doesn’t actually die! Mags managed to keep common sense among everyone, pointing out that this means there now allows Nickolas a lot of freedom, as well as providing training so that when the prince inherits, his Own is already up to speed and prepared to work with him. And they get at least partially settled quickly, because there’s a massive feud among the nobility that is threatening to send all of Haven up with it.

I was relieved that the cast of characters was changed up a bit with this book. As much as I loved Lena and Bear, the case was getting very blotted by the end of the last series. She weeded out the cast to its main core needed in Haven now as adults, and that let her add new players as needed. (Also, Lena about drove me nuts and I wanted better girl representation.) This story really gave us a chance to see a working couple who weren’t lifebonded, who weren’t well established in that relationship, and they are having to figure out how to make it work through life changes. That’s a huge thing!

I also felt like Misty did something really brave and important with this series, which is addressed the female nobility characters. Every time she’s used them before, it was either part of being life-bonded, or as part of exceptions to how everyone else behaved. This time, she was right in our faces about how the female nobility were supposed to act, and how if you didn’t have the power to do otherwise, acting against it was going to get you slapped down. I felt awful for Violetta, but with the clear explanations of the other women, you could see how she got herself in trouble and while it was unfair as hell, I couldn’t argue against it within the context of the world. And members of the world acknowledge it sucks and it’s wrong, which… since the nobility lasts for a while longer in the timeline, that’s about all it can do.

The plot….ugh, the plot. I felt like she had this one event that she needed to make happen, and then went, “Well, now what? Oh, Romeo and Juliet, with a twist!”…sorta. Like it stopped even being a nod to the plot and went full-on-commitment about halfway through and I’m sitting there going, “I know how this ends, everyone dies, why am I still reading?” She gave it like a half-twist, but it wasn’t enough to save it for me. On one hand, I’m glad she kept it to something besides wars and assassins, that is a welcome change and I applaud her for trying to branch out. I just wish she hadn’t borrowed a very tired and often repetitive plot to do it with. Even the twist was just making “Romeo” even more of a jerk than he is in the original, that isn’t a whole lot of work!

Worldbuilding wise, not a lot got added to here besides like I said, the female nobility finally being touched on as far as what is considered normal. There being “two” King’s Own Heralds is different, but I don’t think it was touched on very much. I think that probably has to do with the shoe-horned feud plot, since she usually does better with a little more original work. I do find Amily’s Gift to be a cop-out. I want to read the one-shot with Lan and see if she mentions it with Pol, who reportedly has a little bit of every Gift. Otherwise, yeah, I’m not horribly impressed with it. I’d have preferred to see real Animal Mindspeech. It’s come up I think once with a character we’ve met for any period of time? But it gets mentioned all the time.

Overall, I wouldn’t call it a disappointing read. I like the characters, and I like some of the world building elements. Considering I’m planning a similar series-split with the same character, it’s almost a study for me on what to do and what not to do. My annoyance over Shakespeare being reproduced is probably a mostly me thing (I see it….a lot…and I’m probably overly salty), so I definitely still recommend this book to others. But definitely read the prior series so you have the attachment to the characters, otherwise this may seem unnecessarily harsh.

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Review: Death’s Daughter

Well, I keep seeing a lot of this concept, so I guess it’s fitting that there’s one in the Ginny Box…

Calliope has been living the past year as a personal assistant in New York City, waiting for her chance to get an in on the fashion industry. But then things turn weird, and she discovers that she has been living the last year under a Forgetting Charm. She is a daughter of Death himself, and now that he’s turned up missing, she’s the only option for her family to keep their immortality until he can be found. But it’s never that easy. She has three tasks to complete in order to earn her new title, and she has the Devil’s protege and her own family working against her. (There’s gratitude for you.) In the end, she has to figure out what the truth is, and what she really wants.

Okay, whew. Hard to try and summarize this book without spoiling anything…mostly because it’s hard to figure out where it is. The plot is a bit all over the place. But before I get into that, I have a style note that’s important. The way this book was written is very Princess Diaries, romance novel… annoys me to death… first person style. If I make it three chapters in this style and don’t want to kill the protagonist, it’s a miracle. But it’s also stupidly popular, so obviously I am one of the few who gets that level of irked by it. So I am going to try and remove myself from my hatred of the narration style and just focus on the actual story.

…which was a bit all over the place. Benson (known for playing Tara on Buffy, btw), actually set the bones for a good plot. Trials, love interest wants the same goal, family doesn’t believe in her/trust her… Good bones. But she kept getting tangled up in herself. To begin with, Callie was both a complete idiot and a crybaby. Now, when I say complete idiot, I mean she didn’t know things that I know are covered in multiple times in American school systems and even if they aren’t, they are enough part of the collective culture that she should have had at least a clue from that, and since this is part off her family’s business, I especially expected better general knowledge. I don’t mean I wanted her to be an expert, but she should have had some passing knowledge. And I like heroes who aren’t afraid of crying–look at Katherine in Threads if you don’t believe me–but Benson pushed it too far and had Callie a little too quick to either burst into tears or throw a hissy fit. You can write a feminine, overwhelmed character without pushing it that far.

I also wasn’t sure how I felt about the world building itself. There were a few components that I just didn’t think synced well with each other. For example, Persephone may have been Queen of the Underworld to the Greeks, but she was never a goddess of death. The Indian stories also got tweaked, but at least that was explained in verse. Then you have the Judo-Christian elements demanding immediate attention, but even that doesn’t fit with what the role of Death was supposed to be in this world. Overall, it was a lot of different mythos competing with each other and either too much or not enough explanation going on as to who was who. What’s worse is a lot of this information and a good chunk of the back story were given during info dumps, which are just hard to digest as a reader. Not that those back stories ever made a huge chunk of sense either…

There were some elements I did like of it. Talking Cerberus and his female pup, Griselda, were cute (I refuse to acknowledge the stupid nickname she got given). The kiss between the love interest with Siren blood and the protagonist being what breaks his hold over her because it was awful made me laugh. The relationship between Callie and her father was also really interesting to me, and I wish I had seen more of it at the end. Okay, I also loved hating her sisters and her mother. Honestly, I can understand why she left. Overall, there were also enough female characters that it gave us a good range of different personality types, so Callie didn’t have to be the Every Girl. Admittedly, it got pushed to the extreme, which seems to be the biggest flaw in Benson’s writing style, but it was nice to see such a wide range, since it was easily some of the best representation I’ve seen lately.

Would I pick up another book in this series, even if the narration changed to something more manageable? Probably not. Like I said, everything seemed pushed too far to the extreme for the sake of drama. It made Callie and the other side characters difficult to relate to, and it made it bounce all over the place in terms of plot. Add in the fact the narration style is one I detest, and this was  hard one to get through. This concept has become really popular in recent years–Deaths’ daughter assuming the mantle, struggling with its responsibility. I just think there are better options if that’s what you want to read for.