Tag Archives: Book review

Review: Rodeo’s Run

Preface: Rodeo and his whole family is my fault…or at least his family is, I’m not 100% sure Rodeo himself is all my fault, but you know, probably. But otherwise, I am not responsible or biased more than normal, lol.

Rodeo’s Run takes our familiar friends Savannah and Gideon on a little bit of an unintended adventure. It was supposed to be a simple escort mission. Go down to the Panhandle charter, escort the caravan of horses through No Man’s Land. Unfortunately, bandits decided to get involved. And of course the girls insist that they save the stolen horses. Now Savannah’s “uncle” Rodeo has to keep an eye on several in love couples in various shades of denial, and he’s beginning to understand Brand a little too well. Now if only they could get safely home without bringing the mess home to his folks, he’d be happy.

Alright, where do I start? Well, we have some new characters in the form of Rodeo, his parents, and other people around Jasper, Colorado, as well as the people we already met in the first book. There’s also new characters in Hooker, Texas (…okay, that one is also  my fault). But what’s nice is because the plot is evenly split between locations, the new characters and interactions aren’t as overwhelming, so it’s easier to track names because you can associate them with a particular location. I also think the different personalities really play well in this book when they have the chance to show them. It helps associate the personality with the name strong enough that even if you don’t remember them right away, within a few paragraphs, you recall them.

Much like the last book, the plethora of characters keeps anyone from being the token anything, gender or race. I think my favorite of the new arrivals (besides Rodeo) are the siblings Jorja and Rascal. Not only are they fun because of their relationship with Savannah, but Rascal ends up having one of the strongest friendships with Gideon. (The other men are still getting there, relationships take time, ya’ll.) That lets us see parts of Giddy that we haven’t had a chance to see before, and it also adds new layers to his and Savannah’s relationship as a result. Even if they are still will-they-won’t-they, God, Ginny is going to kill me with the slow burn.

World building wise, this book really let Ginny expand on her world more than the first book did at least in terms of fine detail. While she painted a lot of the broad strokes in The Lone ProspectRodeo’s Run narrowed the focus down to what the environment was like for the people in this world and how the countries are structured. It also let her explain more about how new clubs are founded, and as someone who knows nothing about motorcycle clubs, I was glad for the info dump. There was time spent to research and it shows. It isn’t in your face about the future/sci-fi elements, either, just enough to remind you of what the setting is.

Like I mentioned earlier, the plot ends up splitting between two locations. You have the group that includes our two main protagonists that go on the journey, and then you will sometimes flashback to those who are waiting back at home, for lack of a better word. This helps interrupt tension as well as pass through time, and it honestly helps keep the reader moving through the pages. Like always, there’s a lot of what a traditional publisher would call filler and I call the fun stuff that we all want to see, so it’s easy to just keep going with the flow of the story. It also ends with a sense of satisfaction, so you feel like you got your emotional investment back rather than feeling still on the hooks.

Similar to the first book in the series, it isn’t super-tight in terms of pacing and drama and tension. But if it was, I wouldn’t find it as enjoyable? Drama for drama’s sake is just exasperating and gives me heartburn as I try to figure out how stupid the characters are. What drama there is in Rodeo’s Run and the tension is managed responsibly, with smart characters there to offer advice, and some surprising outside perspectives for those who can’t see past their own noses. And along the way, there’s a lot of fun.

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Review: The Lone Prospect

Amazon may block me from reviewing, but I can spread the word to you all! I am doing a series of reviews on the first three books of Ginny’s Heaven’s Heathens series (and yes, that’s a link to all three in a bundle). We’re starting with the beginning which I hear could be a very good place to start… Okay, no more Sound of Music references, I just gave myself bad flashbacks. On to the review of The Lone Prospect!

Gideon is searching for a place to belong now that he has been discharged from the New York military. He can’t go back to his family farm, so he instead begins to wander the other surviving countries that carved themselves out after the Cascading Wars. There may be a place for him in Jasper, Colorado, though when he arrives, nothing is quite like he suspects. Enter one Savannah Barker. Savannah finds herself saddled with the new puppy when her grandfather Brand decides to test Gideon’s mettle by throwing him into hot water to see if he sinks. She’d be (more) annoyed, except for two things, not counting Gideon’s good looks that she isn’t going to think about too hard. One, her grandfather does these sorts of things far too often for his own amusement. And two, as a biker club of werewolves, their concept of dangerous is a little different from everyone else. Add in that they are mercenaries, and well, she has to hold on to her patience by her fingernails. Gideon’s smart mouth is not helping.

Believe it or not, I am capable of being impartial here. (Hell, Ginny’s and my relationship started because of a review, what do you all think of that?) And I can honestly say I love these characters. Everyone has a personality, everyone has a backstory, and everyone has their own goals. While normally in an ensemble writing type book, that could get ugly, Ginny not only keeps the story centered around Gideon and Savvy, she also takes the time to let the story breathe. Rather than worry about the book being too long, she gives us time to know the characters, to be invested in them, and then the plot comes second (it’s still a good plot, you just don’t worry about it as much, you are having too much fun watching Giddy get boggled). The characters, and the relations between them, make this book.

In particular, I love the fearsome foursome and the female-forward approach. There are so many female characters, none of them have to fit this pigeon hole of “every woman” that is impossible to do. Similarly, the men are there to balance them out to avoid the same problem of “every man.” As a result, you are able to pick your favorites and run with them. It also allows for different relationships to be shown–some healthy, some not. And it asks some uncomfortable questions, ones I think we should be asking that I don’t think have right or wrong answers, it just depends on the people. It’s hard, and it sucks, but they are important questions.

Speaking of plot again, its a fun action romp. Don’t look for super deep angst or drama or mystery here, think like a good action movie. I’m not saying there isn’t angst or any of the other flavors, I’m just saying it isn’t key to the story-arc. It does provide you a sense of completion while it continues to lay the ground work for more later. It may meander a bit, but it’s important meandering to help you understand the world that she’s built. Relying on it being similar to current standings will only get you so far, you have to have those bits of facts. Her werewolves are also different, since they rely on both old legends, old Hollywood, and real wolf facts rather than the false stuff they feed you in elementary school. (Even if Savannah is awful at explaining.)

I’ll admit it, the world building is where I get lost. Not because Ginny doesn’t do a good job, I don’t think, but because a) I don’t read sci fi, or even fantasy sci fi like this, regularly enough so my brain isn’t trained for it, and b) first book in the series and unreliable narrators. I understand enough to get through this book, and then it gets significantly better as it has a chance to build, but you do have to keep your mind open and be tracking it all as you go because otherwise you are going to catch yourself thinking it’s an urban fantasy instead of future dystopian and then you are sunk. (Because sometimes labels are important.) There are reminders, so you aren’t Alice in Wonderland with the path getting erased in front of you and behind you, but the book is long enough that if you are reading in sections over several days, I figured I’d give you the warning.

If you like a fast paced book with a tight plot…eh, go elsewhere. There’s plenty of those to read, and then you’ll have to go to fanfic to get any actual emotional weight out of them. (We like Harry Dresden, we don’t see enough of him outside of panic-mode to love him.) But, if like me, you will start a 600k fanfic at midnight and stay up all night reading it… Ginny writes for you. She pays attention to the things we really want out of a long read, and gives it to you. It’s fast, it carries on so quickly you wonder how you got to where you are, and it’s full of lovable characters. I definitely suggest checking it out if that type of book is your cup of tea.


Review: Closer to the Chest

The last in the Herald’s Spy reviews! (At least until I can afford to buy the Family of Spies series, which may be a while, yay happy homeowning and trying to get my life together over here, ugh.)

So where does the final book in this series take us? Someone is blackmailing and then threatening the noble women in Valdemar high court. While normally not too big of a bother and a part of the political game, this time there is a definite malicious edge to it that Amily can’t quite ignore. Meanwhile, Mags finds that businesses being run by women are facing an increasing level of hostility and sabotage. Both events correlate with the introduction of a new religion in Valdemar that is misogynist at its core. It will take approaching both sides of the problem, plus Mags putting himself into a dangerous situation, in order to unravel the truth for the protection of Valdemar!

First impressions, this was the story that Misty wanted to tell. Both of the prior books were just build up to it, allowing for her to introduce characters, skills, and concepts in prior books so she could get to this story. It’s the only explanation I have for the plot being that much tighter and everything being more in keeping with what I expect from a Valdemar book. This means it finishes on a high note, at least, though I fear most loyal readers are going to skip this series entirely as a result.

There were parts of the plot that worked for me, and parts that I just cringed my way through. I like the idea of the enemy being a religion that is preaching against women beyond bad stereotypical roles. I resent that it was Mags who got to go to the bottom of it, that the idea when Amily first presented it was scoffed at or seen as her making leaps in logic, and that despite it being a very female forwarded plot, it still felt like men were the main heroes of this story. Maybe I’m just too harsh of a reader, but when I figure out that these are the people who are doing something wrong, and then when a female character points it out and gets told to either wait as others investigate or until there is evidence of actual wrong doing… It just rubs me the wrong way.

On the plus side, I did find the church having two Gifted of their own among their ranks to be nice. Usually Heralds are either against normal people or people with regular magic, so seeing those with mind magic who aren’t Chosen by the Companions and how they can end up being used for nefarious purposes by a religion was cool. I also appreciated the emphasis on how expensive books were and how women were the best to copy those texts in the days before the printing press. It’s something I don’t think many people appreciate due to how prevalent the written word is in our lives, but Valdemar has always made a point of emphasizing how important the oral stories and thus the Bardic gifts are, and for good reason.

I like the idea of the Queen’s ladies, the group of handmaids, and I’ve seen similar concepts before, but ugh, I feel like there is so much wasted potential as a result. I don’t think enough was done with them besides making them a spy network that Amily has access to, and I feel like between Amily, these girls, and some of the resources they have, we could have written Mags out of the book entirely. I get the importance of male and female power balance, but come on. We don’t have nearly as many female Heralds as the focus of books as it is, being denied it yet again was just irksome.

For me, Closer to the Chest was the closest that this series has gotten to a traditional Heralds of Valdemar book. But overall, the series just felt tired. Like there were certain scenes that were what Misty actually wanted to write, or certain plots and subplots, and the rest of the book was just a vehicle to get to them. One of my writing professors once said that unless a scene excited you, you needed to edit it to death until you did like writing it or cut it entirely. I wonder if that could be applicable to this series for Misty…


Review: Closer to the Heart

Okay, I’m going to try and get back in the swing of things here!

The next in the Herald’s Spy series, Closer to the Heart deals with Amily and Mags’s wedding….sorta. They quickly take care of the legal side of it, which is a good thing. The formal state wedding turns into a distraction to be wielded against outside forces. Two of Valdemar’s neighboring countries (you know the ones, no one can spell them) are threatening to wage war against Valdemar for threatening their fragile peace due to a child king over one of their countries. While Mags investigates the funding of the rebellion with his mining experience, Amily serves as a distraction and works to maintain diplomatic relations until they can put a stop to it.

Plot wise, the story was at least a little amusing. I felt like the wedding should have been kept a secret to be a cool reveal at the end rather than just being a part of an early plot arc like it was no big deal. But at the same time, that could have made the ending too crowded, so I understand why it wasn’t done that way? I’d have to see drafts going both ways to decide, and obviously, Mercedes Lackey is not among my writer buddies. XD The return of Kirkball was not on my favorite list, but at least she kept it short and it was moderately entertaining since Mags couldn’t be on Companion back this time, so we got to see him actually handle a horse.

I liked the more earthy, proud and take charge maid that we had in Keira, who was a welcome change from the silly little newt from last book. The expansion of Nicholas’s mentor was also at least moderately entertaining, though I found him slightly insufferable. Maybe I’m just over the suave, debonair types. Maybe it was because we saw too much of him as the wise, perfect mentor and not enough to make him seem human. Bleh. I wish we had seen more of him with his wife, that might have saved him. Instead, I was more interested in Tuck and Linden because at least they had personality and problems and flaws that I could empathize and relate to, and a real relationship.

Speaking of relationships, I liked how Mags and Amily got to see a little bit of each other’s worlds in this book. Mags got to pretend to be among the nobility for real, Amily learned how to roof walk from his group of scamps. It was a refreshing change to their relationship. This also opened us up to more about their everyday life and how that worked. Seeing some of the lower Courts work was something that I wildly welcomed. We keep hearing about Heralds stationed there, but rarely got to see it actually happen and what those duties mean. Even if Mags was bored silly, I was glad to finally have that reference to world building, and it was done in a very organic way rather than being forced.

Mags was pretending to be a noble-type, but it was in among his home territory. I feel like this was a wasted opportunity. While we knew none of his old mine owner’s family was going to be around, or it was highly unlikely at any rate, I feel like we could have seen more of either him with someone from that old mine or even in the same area… I don’t know, it just didn’t feel like it had the emotional impact on the reader that I felt it should have. I felt like it got covered up with Kirkball and other nonsense instead. Especially because we saw very little of this setting in the first book due to his emotional state, so we had a lot of high expectations and then they weren’t met.

I did like the way that the tools were being worked into clothing and other disguises, with the addition of Tuck to make it happen. We know that several reigns down the road, the Heralds have all sorts of odd tools, and now we know how they get the designs! Or at least the basics, we all know how things evolve with time. I am all for rogue and spy types having hidden tools and weapons on them, though, and this really brought me a pleased, smug sense of pride in their cleverness, even though I wasn’t the writer.

Overall, this book left me feeling a little…meh. Like, yeah, there were bits of humor and flashes of things I liked, but there weren’t enough to make me absolutely love this book like I did some of the prior ones. But at least the plot wasn’t recycled this time, and even if it didn’t flesh out the emotional impacts as much as I would have liked, it brought in some good world building for the series as a whole in a way that didn’t feel forced. If you don’t already love Valdemar, I would suggest starting elsewhere. But if you’re already invested, it’s decent.


Review: Closer to Home

(Forgive me if this is even more rambly than normal, I’m getting over one hell of a cold followed immediately by getting the flu. I delayed posting just to make sure I was in a quasi-decent head-space.)

Probably because the story about Mags’ continued to wind much longer than her normal books, or possibly as a marketing ploy, or maybe even because of a massive time-skip (like more than normal), but either way, Mercedes Lackey actually continued into multiple series with the same character, rather than others dropping in on new protagonists. I love the first series, and since I got all of the others together in a bundle, I thought I would review the second half for the blog, with a possibility of coming back to the others. (Not sure on that, they were pretty tight and I can only gush so much.)

Closer to Home picks up as Mags and the others are returning to Haven. Lena and Bear have settled somewhere with positions, and he and Amily are trying to establish themselves back into their new lives. But to their surprise, an accident that almost costs the King’s Own Herald, Nickolas, his life gets Amily Chosen as the new King’s Own…except her father, also Nickolas, doesn’t actually die! Mags managed to keep common sense among everyone, pointing out that this means there now allows Nickolas a lot of freedom, as well as providing training so that when the prince inherits, his Own is already up to speed and prepared to work with him. And they get at least partially settled quickly, because there’s a massive feud among the nobility that is threatening to send all of Haven up with it.

I was relieved that the cast of characters was changed up a bit with this book. As much as I loved Lena and Bear, the case was getting very blotted by the end of the last series. She weeded out the cast to its main core needed in Haven now as adults, and that let her add new players as needed. (Also, Lena about drove me nuts and I wanted better girl representation.) This story really gave us a chance to see a working couple who weren’t lifebonded, who weren’t well established in that relationship, and they are having to figure out how to make it work through life changes. That’s a huge thing!

I also felt like Misty did something really brave and important with this series, which is addressed the female nobility characters. Every time she’s used them before, it was either part of being life-bonded, or as part of exceptions to how everyone else behaved. This time, she was right in our faces about how the female nobility were supposed to act, and how if you didn’t have the power to do otherwise, acting against it was going to get you slapped down. I felt awful for Violetta, but with the clear explanations of the other women, you could see how she got herself in trouble and while it was unfair as hell, I couldn’t argue against it within the context of the world. And members of the world acknowledge it sucks and it’s wrong, which… since the nobility lasts for a while longer in the timeline, that’s about all it can do.

The plot….ugh, the plot. I felt like she had this one event that she needed to make happen, and then went, “Well, now what? Oh, Romeo and Juliet, with a twist!”…sorta. Like it stopped even being a nod to the plot and went full-on-commitment about halfway through and I’m sitting there going, “I know how this ends, everyone dies, why am I still reading?” She gave it like a half-twist, but it wasn’t enough to save it for me. On one hand, I’m glad she kept it to something besides wars and assassins, that is a welcome change and I applaud her for trying to branch out. I just wish she hadn’t borrowed a very tired and often repetitive plot to do it with. Even the twist was just making “Romeo” even more of a jerk than he is in the original, that isn’t a whole lot of work!

Worldbuilding wise, not a lot got added to here besides like I said, the female nobility finally being touched on as far as what is considered normal. There being “two” King’s Own Heralds is different, but I don’t think it was touched on very much. I think that probably has to do with the shoe-horned feud plot, since she usually does better with a little more original work. I do find Amily’s Gift to be a cop-out. I want to read the one-shot with Lan and see if she mentions it with Pol, who reportedly has a little bit of every Gift. Otherwise, yeah, I’m not horribly impressed with it. I’d have preferred to see real Animal Mindspeech. It’s come up I think once with a character we’ve met for any period of time? But it gets mentioned all the time.

Overall, I wouldn’t call it a disappointing read. I like the characters, and I like some of the world building elements. Considering I’m planning a similar series-split with the same character, it’s almost a study for me on what to do and what not to do. My annoyance over Shakespeare being reproduced is probably a mostly me thing (I see it….a lot…and I’m probably overly salty), so I definitely still recommend this book to others. But definitely read the prior series so you have the attachment to the characters, otherwise this may seem unnecessarily harsh.


Review: Tempests and Slaughter

I approached Tempests and Slaughter with a healthy amount of both caution and interest. On one hand, it was more of Numair and that always makes me happy. He and Daine are my OTP in Tortall. On the other hand, this is a prequel. I was going to have to put up with Valarie, guaranteed, and with one of the worst villains in Tortall history being viewed as an okay guy. Blegh. But I finally knuckled down and read it. While I don’t regret it, it definitely wasn’t what I expected either.

Not yet Numair Salmalin, Arram Draper is a young boy at the College of Mages in Carthak. Tempests and Slaughter tells of his late childhood/early adolescence, as he rises with the ranks of powerful mages with the growth of his Gift. As he grows farther away from his family and home in Tyra, he has to learn not only who he is and what he can tolerate, but also who his friends are becoming. In the end, plague hospitals and arenas decide for him where his limits are. Now if only he can bring his only two friends, Valarie and Ozorne, along with him.

So, let’s get it out of the way. I love Tamora Pierce’s writing. I’ve had my style compared to her a couple of times, and it always makes me squee because she has such a way with prose that it just flows, smooth and clear. Thankfully, she spared my overly imaginative butt too much medical in the hospitals, but the way she did it is very real to how people who are in those professions describe how they feel after it is over. I really valued her return to third person and in normal chapter format. It wasn’t so heavily cluttered with slang that I needed the dictionary in the back just to wade through until I adjusted to the dialect, but it was there enough to carry the culture of the world across. It was a little different, because the narrator is a boy for the first time for an entire book rather than a short story, but after a couple of chapters, I managed to fall in with it. I think it’s interesting how she keeps exploring new formats and narrators, rather than sticking to formula.

World building wise, she had some room to play and it shows. Carthak was barely hinted at beyond the capital during the Immortals quartet, and while some of the short stories have touched on other countries as part of the empire, we haven’t seen all of it. There’s a curious mixture of African cultures, and I use that term in relation the continent as a whole. At times, I see the south and the tribal influences, but further north it is reminiscent of Egypt and it’s interactions with Europe. I also saw bits of South Africa, if only because of the way the ruling class appears to be of light skin versus…everyone else. This is also the first time we saw how a mage was trained, from the ground up and without pesky fighting training to overlap, and while at times I felt a little like the magic systems were too muddled, that is more personal taste than anything, and it was interesting to see how magecraft is taught for the Gift when there aren’t deities involved.

Characters is really where this book could have made or break for me. I knew I was going to like Arram, because I liked him as an adult. It was curious to see how clumsy and unsure of himself he was as a boy, though, and how easily swayed he was by others around him until he found his backbone. I also wasn’t suspecting his healing magic to be at the forefront, but then, his entire history is so secretive, I guess I shouldn’t be surprised. Valarie… Ugh. All of my problems with Valarie still exist. I mean, her “kitchen witch” label aside, she really just irks me. I don’t think that will ever change. I don’t like manipulation like I see her doing, even when it is for the sake of those she considers friends, at least without some sort of moral code behind it, which I know she’s lacking in. And then there was Ozorne. He could have gone wrong very quickly, but thankfully Tamora never forgot what he was going to become. The brief flashes alone were enough to sooth me, and then she dropped his ambitions, his goal to unite everything under one Empire, and at that point I knew he was the same person we knew, it was Arram who hadn’t realized it yet. That is going to be fascinating to see continue, and I’m beyond curious to see what the tipping point will be.

As for other characters, the teachers rotated around so much, I had a hard time nailing down a favorite. I did like Yaven and how he applied something most people would consider silly to help Arram concentrate, and how that evolved into other lessons. Sebo and her ties to the crocodile god were also interesting. Oh god, the crocodile god was hilarious, I was very amused by him and his interactions. My only complaint, if you could call it one, was Preet, if only because she seemed like a plot device more than a character. The lack of mention of her to Daine in prior books also makes no sense. But then, we don’t know how Preet’s plot is going to end, so I could end up being placated.

This definitely reads to me like there’s one more book, possibly two, in this series, but I don’t think it’s going to be a quartet and I’m leaning towards just one more like the Aly Cooper books. That seems about right to me, because really this is mostly bringing some light to a mysterious back story that I’m sure fans like me have been wondering about since the first books with Daine. I can’t wait for the next book and to see where this story is going and how it will dove-tail with where we first met Numair.


Review: Kimiko and the Accidental Proposal

And I’m back! This time with a continuation of a series that I enjoy, particularly when it continues a one-shot fanfic that I adored and was so excited to see continued.

Kimiko and the Accidental Proposal picks up a a few years after Tsumiko, following a new reaver. This time, it’s the daughter of modest shrine keepers, with some of the women having big ambitions…except Kimiko, who is content with her lot and finds her happiness in the little things. That is all turned on its head due to a series of circumstances that lead to her courting the Starmark Clan’s youngest tribute, Eloquence, as both of them attend a trial school that is meant to bridge the divides between reavers, Amaranthine, and the rest of us. But more is going on under the surface, particularly some familiar characters, and it looks like there is more trouble on the horizon.

According to one of my professors, the hardest thing you can do is write a sequel. I can usually see where she is coming from. You have to have an overarching story for your main characters, or cause new problems without making your first book pointless. One way to get around that problem is to completely skip around and have new protagonists and antagonists, just set in the same world. That is sort of what forthright did. The focus is definitely on the Starmark clan and the school in this book, but there is such a heavy callback to the earlier book, it isn’t as cleanly divorced as the idea would imply. So this is sort of almost a third way of handling it, because it isn’t following the exact same set of characters, though they make appearances and in some cases feature heavily in subplots, but they aren’t all brand new either.

There are pros and cons to this. On one hand, it’s great for characters who barely got a few chapters to get a little more attention, and Argent’s reappearance and the outside perception of him was fascinating, I always love those sorts of things. (True fact, best Christmas present to me from RP partners is points of view from other characters besides mine in key scenes.) It also gave us an idea of how tightly protected characters like Tsumiko are protected, versus Kimiko who is on the opposite end of the spectrum. But at the same time, it felt like there was a split focus between what was supposed to be our main story, which is that of Kimiko and Eloquence, and instead a lot of focus on what was going on with the side characters, such as Akira and Suuzu. This is what is called “ensemble writing,” and this is definitely more Ginny O.’s specialty than mine, so it’s hard for me to say if it was done well or not. It sometimes annoyed me, having to dig for Kimiko or Eloquence, but it never pushed me so far that I no longer enjoyed the book, so in that regard, it was a success.

Ugh, the characters though. I loved them. Like, as attached as I was to the first group, I love these even more. Kimiko in particular is my precious baby and I want to hug Eloquence. More than anything, I like that even if they find their families are embarrassing, none of the family groupings have been the “evil step-family” sort of situations yet. I feel like that sort of trope is a crutch that a lot of YA clings to, and so I’m excited that instead we’re seeing good examples in these stories without them all being nuclear families. Even the more “comedic” character, or at least more than we’d previously had, of the monkey half-Amaranthine, half-human hybrid just made me snicker and snort in amusement, especially his line drop at the end.

Also, FUCKING MIDORI. AHHHHHHHH!!! (I screamed in person too while reading. I want THAT story.)

World building, I felt like this helped explain a lot of the gaps that I had in the first book, which was excellent, while also adding elements that I hadn’t even thought about. That’s always a huge thing to do, especially as another writer reading it. It also created some cool layers and dimension, and I love how the information sometimes came from unexpected sources. (Like….Kimiko, she was really good at it, actually.) Nothing seemed overly contradictory to me, so that was thankfully balanced out to where if something did contradict the first book, it was so minor I missed it during multiple re-reads. There are also just enough gaps left that I am still left wanting more of this world.

So, out of all of this, what problems do I have? It comes down to Akira and Suuzu. I feel like they horned in big time on the story, taking a lot of the focus away from the “main” pairing, which is ironic since part of the point of this story is Kimiko coming under scrutiny and attention where she was previously considered unremarkable, and look what is happening to her in her own book! This is probably series set up, big time, which I totally respect. It just felt like the subplot started to take over, and I’m worried that this is going to be a reoccurring problem until Akira and Suuzu are resolved. Maybe it was because of the added subplot of the wolves and the dragon representative that just threw the balance off. I don’t know…

Overall, I loved this book even more than I did the first in the series. The first had the challenge of establishing a world and altering a story I already knew, which is hard, but because this second wasn’t hampered by more than a one-shot, it had a lot more breathing room. There was a little bit of a balance issue between the main plot, the subplots, and what was supposed to be our center focus, but overall, I think this is an excellent read, even without having read the prior book. (Which is about the highest praise you can give a sequel.)


Review: Mistress of Thieves

Hey everyone, sorry there was a bit of a delay on this one. (Check out my social media for the full story.) I was a little unsure where to start in the Kindle Store, to which the answer is not on the app if you are looking for the self-published section, but I stumbled upon this one after a lot of digging among the traditionally-published crowd, and thought it was worth a shot!

In Mistress of Thieves by Carrie Summers, Myrrh is an up-and-coming freelance thief who’s lost her only true friend. The city guards finally captured her mentor, an aging rogue and the closest thing she had to a family. He’s dead now. She’ll be next if she doesn’t figure out who betrayed him. As she begins her search, she’s double-crossed by a fellow freelancer and sold out to a shadowy new crime syndicate. With a sack over her head and wrists tightly bound, she’s delivered to the lair of the syndicate’s boss, a man named Glint. Certain he intends to kill her, Myrrh is surprised to learn that he has other plans. An unrepentant scoundrel, Glint is as charismatic as he is complex. And he has information about her mentor’s disappearance that will upend everything she thought she knew about the city’s underworld.

So this was a surprising amount of fun! It seemed like it was going to be super dark and grim, but the writing found ways of inserting some humor that made me grin without making the main character an idiot–actually, she’s rather brilliant, if impulsive at times. The second person point of view was sort of iffy for me, I don’t particularly like it, but it was done well enough that you eventually tune it out. It wasn’t as strongly fantasy as my usual taste, but there was enough that I can see how it ended up in this section rather than anywhere else.

The characters’ backstories were well-done, as was the balance of the cast. Myrrh was fun to follow, though I’m disappointed we didn’t learn her real name yet. Considering the crap that went down, I think if she had told Glint her real name, it could have had a deeper emotional wound…but the writer might also be saving that for later, so you know, I’m okay with it. Nab was friggin’ awesome. I was like, “Oh, little kid to look after, the cute bait.” And then he actually appeared and was a smart brat and I was like, “Okay, not what I expected, but BETTER!” I love realistic kids, especially when Myrrh gave it right back at him. Glint’s backstory was a lot…smaller I guess?…in terms of scale than I was expecting, but it worked, and I totally get it if the world is meant to stay focused here.

The romance was actually done well. It wasn’t something that started in the story, it felt organic in terms of how it built, and when the plot twist is revealed, it added another stab to the heart without having gone to super cliche levels. I also didn’t feel like it took over the story, and it didn’t completely eat up Myrrh’s goals. That thrills me to death. In fact, I think it hurt Glint more than it did Myrrh, which is a nice role reversal. In a similar vein, the female characters were more plentiful than usually shown in thieves’ guild type settings, and I loved the variety. We had more than just the geisha assassin (as the trope is called) and the girl thief, and what we saw was fun. I hope we see more of them.

My only complaint is so minor, and relates entirely to the fact I bought the book on Kindle. The large city that the book was set in was broken down by districts, bridges, and a river. Unfortunately, I couldn’t get the layout right in my head (it’s not numerical like you’d think!), and that left to me getting a little confused. Now, Tamora Pierce’s Provost Dog series is very similar for the first two books, and I had less of a problem. That’s because I own physical copies, and it was a lot easier for me to toggle to the map in the front. The Kindle version of Mistress of Thieves not only sticks the map in a kinda weird spot, but I don’t have a Kindle-Kindle, I use my Android phone (which is not the biggest thing ever), so setting bookmarks sucks. As a result, it was halfway useless to me as a reference.

This was a fast but fun read that I enjoyed. It kept the plot simple without getting really convoluted or losing itself down subplots, and it kept true to its characters, even if that meant the ending wasn’t your typical Happily Ever After. Overall, I highly recommend it, and I hope the sequel that comes out next week is just as good!

…Just get the physical copy. 😛


Review: Tsumiko and the Enslaved Fox

I liiiive! (Finally done being sick and through the hard part of all my dental work, ugh.) And to start us off is a review of a book series that is quickly going to become one of my favorite series, so you can bet as new books are released, I’ll be reviewing them!

The first in the Amaranthine Saga, Tsumiko and the Enslaved Fox begins with the title character, Tsumiko, coming into a surprise inheritance from relative she didn’t even know existed. It is the beginning of her introduction into a world that the rest of humanity is just becoming aware of–that of the Amaranthine, also known as the Rivven. To her surprise, she is a powerful reaver, humans who work alongside both humanity and the Amaranthine to insure peace between the two. And to make things awkward, aside from a new home, she also inherits a person–an Amaranthine butler named Argent. But Argent is no willing services, and foxes are not to be trusted on either side. Tsumiko will have to find her place in this new order of things, as will Argent, though neither is what they would expect.

So, confession time. I read the “original” version of this, that being the fanfic that the bare-bones-basics of the premise came from. I even follow forthright’s blog here on WordPress, so you know I’m a fan. ^_~ That being said, I tried to take a step back and look at this story with fresh eyes. It was a lot easier than you would think. While I can see some of the core characteristics haven’t changed, Tsumiko, Argent, even Sansa and Michael have taken on enough changes that they became their own persons. The world building was also sufficient in that regard to help separate it.

The part that stole my heart the most was the plot. I went in with a very vague knowledge of what was going to happen, but didn’t know how well it would translate to original. Lo and behold, forthright did some amazing work bringing something new to her long time readers. It deviated down some fun ways (I squealed at Gingko’s relation to Argent, for example), and it also added some substantial bones to what was otherwise a very fluffy story. I was caught up in what was going to happen next completely. I think one thing that still bugs me is the rogue dragon(s), but I figure those must be series questions. The climax was also not quite what I would have wanted. I don’t know if the pacing was off, or if its because there were two different “big” problems that had to be resolved in a particular order rather than together. Either way, the third act felt too long.

(Ginny is probably about to call me a hypocrite, but mine doesn’t go quite as long, leave me alone. :P)

Like I said previously, the characters personalities were solid, without depending on their fanfiction counter parts. I had a lot of fun with Argent’s double speak, and even in deciphering the cats’ personalities. Even the religious overtones weren’t overbearing, and I think bringing a different faith in helped break it away from its source material. That being said, as strong as they were in personality and dialogue, there was some lack in the character descriptions. Sometimes it was better than others, such as with the Amaranthine. But aside from being petite and I assume Japanese, I don’t know much about Tsumiko’s looks! This may seem a little picky, but I like to know exactly what I’m dealing with unless the writer is purposefully trying to make it where the reader can insert themselves into it.

Worldbuilding wise, I wish we had gotten some more in England. While Stately House got given plenty of time and attention, as did the surrounding area, England felt like a very rushed pass-through. Same at Akira’s dorm, though at least that served a solid purpose (and my feelings for it are probably link to my feelings over the climax). The Amaranthine culture though was very well developed. It took a second read through for me to grasp everything that I was reading. I really liked how there were very few blanket answers to how things worked too considering how varied the Amaranthine were in types. But even they didn’t have perfect knowledge, which kept them from getting to ridiculous, Tolkien elf territory.

Overall, this book was a delight. I highly recommend it for multiple reads, as new details will be constantly making themselves known, and the characters themselves don’t grow old, just more faceted. Here’s hoping the second is just as big of a success.


Review: Boycotts and Barflies

…Okay, some background. I read this story when it was still a fanfic, specifically Twilight fanfic back when I thought the books were silly fluff reading for the age demographic that I still technically was in (a.k.a. before the train wreck that is the last book) and I loved it for what it was. Now that it’s original… Well, I’ll get to that. But now you know there’s history.

Bella Swan Grace Parks and her three friends are sick of endless dates with men who don’t meet their standards. Their solution? A boy boycott, for six weeks until the New Year. Well sort of, they are still allowed to flirt and go on group dates (so the bet is sort of pointless). It’s all in good fun, until Grace meets Edward Michael Andris and his friends meet hers. Surprisingly, the boys are also on a bet of their own–this time to meet “nice girls” and no longer allowed to date the girls they meet while bartending, casually referred to as barflies. Hijinks ensue as everyone remains determined to win the bet…or are they?

Okay, so romance novel: likelihood of some of this happening is non-existent. It’s merely a tool to set the two main protagonists against each other so they have conflicting goals. And between it and family interference, it actually works for…most of the book. She even had a really good idea for the bet exploding in everyone’s faces. The problem that no one caught in the fic’s transition to real publication, is that the ending just sort of…coasts. The conflict at the end where we find out not only what the boys have been up to but supposedly Grace’s two best friends just blows over in favor of a romantic night out. There’s no satisfaction with that. These girls lied to her, the boys lied to her… It shouldn’t end that easily, even if it was supposedly to help Grace realize her own worth.

Speaking of self worth, there are some good points and there are some bad points to characters in this book. On one hand, the dialogue and the banter between characters is hysterical. I’m not completely sold that the ages fit the dialogue, but I am willing to hand wave it because it is funny. And there is good chemistry between all of the characters, and delaying any actual sex scenes means it avoids the trap of being so heavy with them that it’s uncomfortable to read. I even appreciate the fact that the fact most singles can’t afford to live by themselves is acknowledged, so unlike most romance novels finding places to be together is a real challenge.

On the other hand… A lot of the issues with the Twilight characters carried over, even with the filing off of the serial numbers. The friends aren’t fleshed out enough or given enough flaws to make sense. The fact Grace is so insecure isn’t ever really explained well besides pretty fish in a small pond that got transplanted and hasn’t moved on yet. (BTW, this sort of insecurity is common in teenagers, but we tend to grow out of it in our twenties.) And maybe this is me knowing the source material like I do, but I don’t think the serial numbers were filed off enough. They tried, I give her credit for trying, but I could still see what it once was. Considering how she had set up the fic, it was hard to take it to original fiction and leave it still intact enough for her fanfiction audience while being separate enough that no one saw the original fandom unless they were looking.

The thing that I think irks me the most is the way the guys treat the girls they pick up at the bars and the way they are written. It’s painful and horrible disrespectful to women in general. It was sort of nudged at being inappropriate by the fact the girls were sort-of-sort-of-not barflies by definition and the guys were forced to re-evaluate it, but still. The term itself bothered me. As did the way these girls treated the boys they went out with. It’s one thing to find the date boring, but really, a dinner date is hard to be entertaining if you aren’t an entertainer by nature. One of the girls is admittedly shallow and won’t go on a date with someone who isn’t high on her personal taste list. Both sides were equally painful, at least from my standpoint, and really had the potential to cause a lot of hurt feelings and didn’t because the author didn’t want them to.

Much like its source material, Boycotts and Barflies ranks as a good lighthearted read that is amusing as long as you don’t look at it too closely. It suffers some from being prior fanfiction that transitioned over to original fanfiction, but it did so to hold on to its humor. The more you reread it, the more it starts to wear, so maybe save it as a once every three or four years thing.