Tag Archives: fanfiction

Canon vs Fanon, Who Cares?

(I may have harped on this before. It’s still relevant, lol.)

Fanfiction is pretty much older than dirt–I would argue Homer was writing fanfic of the Trojan War since it was a) way before his time, b) he made a Turkish city Greek, and c) he brought in legendary heroes from a bunch of time periods together. But the point is, a lot of people accepted Homer’s stories as fact, without even questioning it.

They had accepted Homer’s story as their new canon, making it now what is commonly referred to as fanon.

For those who have no idea what I am talking about, canon means the information that comes directly from the source material. Now, what counts as source material can vary. Some people narrow their view to one specific source, such as the film series but not the comics or cartoon spin-offs. Others cherry pick, accepting all sources but not all episodes or facts. A lot of people you just have to ask or read their notes to figure out what they are treating as canon for any particular discussion.

Fanon has two separate meanings, depending on context, and I’m going to look to my Homer example again. The first definition is Homer’s work itself. Homer’s particular combination of characters, setting, and events is its own fanon. In his playground, you have both Ajax’s and yet more contemporary heroes, and the Trojans are a traditionally Greek society. Now, when a group of people argue that they are going to adopt Homer’s fanon as their own, that’s another–and the second meaning–of fanon.

Fanon can be over something small, such as one character having a particular hobby. Another fanon can be a lot bigger, such as how one character feels about another or even about themselves. Sometimes a consensus about names for background characters happens, and the rest of us are left confused. (Looking at you, Miraculous Ladybug with the concept-art Quadatic Kids or whatever they are.)

The trouble that fanon seems to run into is when the fans who create it forget to leave their fanon at the door when new material becomes available. Whether that’s the next movie in the franchise, new books set in the same world, or just a new season of the show, it’s hard on the fandom to make their own fanon and the new bits of canon to mesh sometimes. Long hiatuses make this worse, fyi. It’s why whenever I write fanfic for an unfinished series or I’m reading something in a fandom that is always evolving, I try to keep that in mind. It prevents me from being completely disappointed. It also gives me a refuge if the writing jumps a shark or two. (I refuse to acknowledge Season 8 of Game of Thrones unless it is to call out the mess and bad behavior and how nothing has changed. I literally only watched the series for Dany.)

So what can we interpret this all for as writers? Well, for one thing, it’s gonna happen. You just have to accept it, be amused by it when people ask you questions about it, but otherwise avoid participating in it. The other? Know where to have an answer and where to back away, which comes back to my Law of Writing: never lie to your fanbase. If you haven’t thought of a particular aspect of a character, admit to that if asked, and say it hasn’t come up yet and you wouldn’t want to make a decision without all your notes in front of you. Admit if something is a spoiler for later if it comes up. Some fans hate spoilers with a passion and want to see things in context. And too many spoilers, not only does it raise expectations to unrealistic level, but the fanon can work against you and come up with stuff waaaaay better than your own. (Again, looking at you Miraculous Ladybug and Zag.)

Or if it’s a fun detail that hasn’t come up yet in the books and is just extra, or you happen to know it…tell them. Yes, it’ll feed the fanon or maybe contradict it, but like I said, it’s going to be there regardless. The little facts can create whole spin-offs of ideas and thoughts, especially if your series is finished but you are writing in the same world. But J.K. Rowling has made a name for herself as being the worst example of this. Know when to back away and go, “You know, this is inappropriate for the age demo of these books,” or in her case, I swear she’s just making random stuff up as she thinks it up, which is hell on the rest of us since very bit takes away from the magic that we grew up with and makes it…more like the dirty reality we live in.

Anywho, that’s a whole bag of salt to unpack on another day. I just wanted to take a chance to talk about something I’ve been seeing on tumblr in a couple different fandoms. I’ll be back next week with…something, not sure what yet. Maybe review the new Fast and Furious spin off? It has Hobbs, I’m bound to be amused…

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Review: Boycotts and Barflies

…Okay, some background. I read this story when it was still a fanfic, specifically Twilight fanfic back when I thought the books were silly fluff reading for the age demographic that I still technically was in (a.k.a. before the train wreck that is the last book) and I loved it for what it was. Now that it’s original… Well, I’ll get to that. But now you know there’s history.

Bella Swan Grace Parks and her three friends are sick of endless dates with men who don’t meet their standards. Their solution? A boy boycott, for six weeks until the New Year. Well sort of, they are still allowed to flirt and go on group dates (so the bet is sort of pointless). It’s all in good fun, until Grace meets Edward Michael Andris and his friends meet hers. Surprisingly, the boys are also on a bet of their own–this time to meet “nice girls” and no longer allowed to date the girls they meet while bartending, casually referred to as barflies. Hijinks ensue as everyone remains determined to win the bet…or are they?

Okay, so romance novel: likelihood of some of this happening is non-existent. It’s merely a tool to set the two main protagonists against each other so they have conflicting goals. And between it and family interference, it actually works for…most of the book. She even had a really good idea for the bet exploding in everyone’s faces. The problem that no one caught in the fic’s transition to real publication, is that the ending just sort of…coasts. The conflict at the end where we find out not only what the boys have been up to but supposedly Grace’s two best friends just blows over in favor of a romantic night out. There’s no satisfaction with that. These girls lied to her, the boys lied to her… It shouldn’t end that easily, even if it was supposedly to help Grace realize her own worth.

Speaking of self worth, there are some good points and there are some bad points to characters in this book. On one hand, the dialogue and the banter between characters is hysterical. I’m not completely sold that the ages fit the dialogue, but I am willing to hand wave it because it is funny. And there is good chemistry between all of the characters, and delaying any actual sex scenes means it avoids the trap of being so heavy with them that it’s uncomfortable to read. I even appreciate the fact that the fact most singles can’t afford to live by themselves is acknowledged, so unlike most romance novels finding places to be together is a real challenge.

On the other hand… A lot of the issues with the Twilight characters carried over, even with the filing off of the serial numbers. The friends aren’t fleshed out enough or given enough flaws to make sense. The fact Grace is so insecure isn’t ever really explained well besides pretty fish in a small pond that got transplanted and hasn’t moved on yet. (BTW, this sort of insecurity is common in teenagers, but we tend to grow out of it in our twenties.) And maybe this is me knowing the source material like I do, but I don’t think the serial numbers were filed off enough. They tried, I give her credit for trying, but I could still see what it once was. Considering how she had set up the fic, it was hard to take it to original fiction and leave it still intact enough for her fanfiction audience while being separate enough that no one saw the original fandom unless they were looking.

The thing that I think irks me the most is the way the guys treat the girls they pick up at the bars and the way they are written. It’s painful and horrible disrespectful to women in general. It was sort of nudged at being inappropriate by the fact the girls were sort-of-sort-of-not barflies by definition and the guys were forced to re-evaluate it, but still. The term itself bothered me. As did the way these girls treated the boys they went out with. It’s one thing to find the date boring, but really, a dinner date is hard to be entertaining if you aren’t an entertainer by nature. One of the girls is admittedly shallow and won’t go on a date with someone who isn’t high on her personal taste list. Both sides were equally painful, at least from my standpoint, and really had the potential to cause a lot of hurt feelings and didn’t because the author didn’t want them to.

Much like its source material, Boycotts and Barflies ranks as a good lighthearted read that is amusing as long as you don’t look at it too closely. It suffers some from being prior fanfiction that transitioned over to original fanfiction, but it did so to hold on to its humor. The more you reread it, the more it starts to wear, so maybe save it as a once every three or four years thing.


Writing: Fanfiction is Awesome! (But I can’t read fics for my own stuff)

So, as a writer, I actually love fanfiction. For those ignorant about what that is, it’s when you write a story about another’s work, basically playing with their toys, sometimes with your own thrown in for funsies. And there is a rule about it. Eighty percent of it, if not more…is crap. Pure and simple. But the other ten percent is usually just as rewarding as the original medium, if not more so (spoken as someone who used to stroll through the Twilight fanfiction sites until the fourth book came out and ruined any tolerance I had for the series). Fanfic can be written about almost anything, from books to tv shows to movies to plays. The sky is the limit.

What is it about fanfiction I like so much? Well, some of it is a personal thing. I like cute fluff, and most writers don’t indulge me with enough of this. For completely understandable reasons, of course. You have to keep the plot moving, even in romances (which is usually sex, but that’s another need entirely), and in other books your romance is very much a subplot. Sometimes, writers frustrate the tar out of me and I want to read more about the characters and the world without their personal quirks or writing style frustrating me (Hello, Butcher…). In some cases, the series ends and I need more for resolution (Hello, Blood +).

But the biggest reason is because of what it does for aspiring writers or even people who just write for a hobby. I was almost completely self-taught until my junior/senior year of college, and fanfiction writing was really the best practice I could have ever asked for. I didn’t have to try and world-build, which is something that really takes practice and time that when I was first starting, I didn’t have the patience for. Learning how to write a character (even if they weren’t mine) and keep them consistent with their already determined personality, how to plot a story from beginning to end (admittedly not the best of plots at times), and even how to write believable dialogue, were all skills I developed when writing fanfiction. I also learned more about fleshing out original characters to match the ones in the fanfic (and developed my hatred of the term “Mary Sue,” but see this post for that.)

I honestly think there are some real gems out there, even for series that I might hate for some reason. For example, Naruto about drives me nuts in the series (and I hate the couples revealed at the end, or at least some of them). But House Calls is amazing and full of fluff and squee. I write fanfiction myself, at the moment mostly whenever something in the original series starts frustrating me (Dresden and Sly Cooper) rather than out of practice. I always encourage beginning writers to start with fanfiction before tackling their own stuff. It helps them get some basic tools before they tackle the huge amount of work an original novel, or even an original short story, can be.

The strangest part of the fanfiction world, at least in my opinion, is writers who take extreme steps to make sure that no one writes fanfic for their work. it blows my mind, if only because… Well, first off, it’s going to be written regardless. It’s a pointless fight to pick. And for another, it’s really a compliment, if you think about it. Someone loves your characters or world enough to write stuff about them. Take the compliment and enjoy it, really. But I can respect some writers feeling like it’s a back-handed compliment (remember why I’m writing it right now?).

That all being said, I have policies about writers and fanfiction. It’s actually one of my Cardinal Rules. (I have three of them.) It’s a big one. It’s simple really. Writers can’t read fanfic for their own stuff. Seriously. No. I have a couple of reasons behind this. For one thing, while there is no such thing as a completely original idea (and there isn’t), reading fanfic could give you ideas you wouldn’t normally have. Or even if you don’t have the same idea, just reading any fanfic gives someone who does have same idea as you the grounds to claim you read their work and stole it. It’s a giant legal nightmare. On the other side of it…remember that first paragraph? Eighty percent. It’s almost impossible not to cringe when it’s characters you love. If it’s characters you make? Oh lord, that just makes me shudder.

So I gave one of my favorite fics a shout out. Anyone have their own to call out?

As a bit of news, I will be changing my posts to Sunday, and maybe a random one in the week. I’m just stupid busy the rest of the time in the week right now with fair coming up.


Writing: The Mary Sue (and Why I Hate That Term)

When I first started writing, I did what most young girls did. I created a new character (usually female), threw her into a show or book I liked, and either rewrote what had happened in the show or set it after the show was over. And I will be the first person to admit…those stories were awful. I had no concept of how to plot, and because my brain functions so highly on visual input rather than audio, there would be far too many details. I also had no concept of what made a good or balanced character. I just made what I thought sounded cool and what I wished I could be if magic was real.

Cue the many cries of the fandoms in question declaring my character a Mary Sue.

Eventually, I learned what that term meant. I tried to do better, to not go so far in my characters. But remember, I’m a fourteen year old girl. I just want to have characters that I think are cool and happen to be my own gender in shows I like, since many of the shows/movies/books in question at that time were focused on making the boys cool and the girls…pretty twirly love interests with no real substance. None of it worked, and I even left one fandom that I loved, no longer able to tolerate their views on anything that deviated from the blessed, misogynistic canon.

Thus started my hatred for the term Mary Sue, and honestly as an adult and trained writer? I still hate it.

Once upon a time, a Mary Sue was a character who could do nothing wrong, knew things she had no right to know, and clashed with whatever fandom she was put into so bad, it was jarring. I mean throwing a magical girl into Lord of the Rings, jarring. Obvious author inserts were also lumped into this category (never mind that people like Mercedes Lackey do this in their original work). It originated from a Star Trek fanfic, and it’s just grown in infamy.

Now? Now it simply means a character has traits that people may or may not like. Is your character attractive and ends up in a romantic relationship with a male in the show? Mary Sue. Can your character sing and/or dance? Mary Sue. Has anything happened in the backstory that could be considered tragic? Mary Sue. Since the wonders of Twilight, is your character a klutz? Mary Sue. If you’re dealing with a fantasy story dealing with nobility at all, is your character nobility or royalty (and maybe doesn’t know it)? Mary Sue. And if your character is perfectly ordinary and has nothing special about her except MAYBE ending up in a relationship with a male in the series? Not only is your character a Mary Sue, it’s a BORING one. Do you see how ridiculous this is?

What makes it worse is the term has made its way to describing original fiction characters, which really blows my mind. I understand the main character maybe being poorly balanced or written, but I don’t understand how they can clash with their setting as poorly as a Mary Sue is supposed to…unless it’s because again, we are using the word to simply describe a character we don’t like, rather than what it is supposed to mean.

Let me make it even worse. There isn’t a definite name for male Mary Sues. Some call them Gary Stus, Marty Stus, or just male Mary Sues. It is nearly impossible to write one, either. Why? Because male power-fantasy characters are easily accepted in our current society. Seriously. Batman, Indiana Jones, Anakin Skywalker, even friggin’ King Arthur himself. All of them if they were female? Would be labeled as Mary Sues. But as male characters, they are accepted and are even made to be some of the greatest characters ever.

But their female counterparts are turned into one of three things or a combination of them. Helpless damsels in distress who are constantly kidnapped (because sadly, Guinevere becomes this way too often, and Indy can’t KEEP a girl). They get trapped in being the girly love interest whose supposed moments of awesome are just annoying or make no sense (Padme, I love you, but you play pretty pretty princess and awkward love interest and that’s it). Or they get hypersexualized until girls no longer want to read the comic (…the entire comic industry, really, is this. And much like Indy, Batman can’t keep a girl).

And when there is a strong, feminine, powerful character for female power fantasy? Mary Sue.

As I said earlier, I still hate the term, just in general. I wish instead, we could say, “I don’t like the character for x reasons.” Because then we could have a healthy conversation about the reasoning behind it. And honestly, that’s my response to original work too. If someone tries to say my main character is too perfect or too tragic, I want to know what specifically bothers them, so this way we can have a discussion about it. Is there a possibility my character is out of whack? Yes. But there is also a chance that this is just the patriarchal structure of our upbringing talking.

And I don’t know about other writers (except Tamora Pierce, she’s all sorts of awesome about this), but I’m pretty determined to get some female power fantasy characters out there who aren’t dependent on romantic love.