Tag Archives: female

Review: The Lone Prospect

Amazon may block me from reviewing, but I can spread the word to you all! I am doing a series of reviews on the first three books of Ginny’s Heaven’s Heathens series (and yes, that’s a link to all three in a bundle). We’re starting with the beginning which I hear could be a very good place to start… Okay, no more Sound of Music references, I just gave myself bad flashbacks. On to the review of The Lone Prospect!

Gideon is searching for a place to belong now that he has been discharged from the New York military. He can’t go back to his family farm, so he instead begins to wander the other surviving countries that carved themselves out after the Cascading Wars. There may be a place for him in Jasper, Colorado, though when he arrives, nothing is quite like he suspects. Enter one Savannah Barker. Savannah finds herself saddled with the new puppy when her grandfather Brand decides to test Gideon’s mettle by throwing him into hot water to see if he sinks. She’d be (more) annoyed, except for two things, not counting Gideon’s good looks that she isn’t going to think about too hard. One, her grandfather does these sorts of things far too often for his own amusement. And two, as a biker club of werewolves, their concept of dangerous is a little different from everyone else. Add in that they are mercenaries, and well, she has to hold on to her patience by her fingernails. Gideon’s smart mouth is not helping.

Believe it or not, I am capable of being impartial here. (Hell, Ginny’s and my relationship started because of a review, what do you all think of that?) And I can honestly say I love these characters. Everyone has a personality, everyone has a backstory, and everyone has their own goals. While normally in an ensemble writing type book, that could get ugly, Ginny not only keeps the story centered around Gideon and Savvy, she also takes the time to let the story breathe. Rather than worry about the book being too long, she gives us time to know the characters, to be invested in them, and then the plot comes second (it’s still a good plot, you just don’t worry about it as much, you are having too much fun watching Giddy get boggled). The characters, and the relations between them, make this book.

In particular, I love the fearsome foursome and the female-forward approach. There are so many female characters, none of them have to fit this pigeon hole of “every woman” that is impossible to do. Similarly, the men are there to balance them out to avoid the same problem of “every man.” As a result, you are able to pick your favorites and run with them. It also allows for different relationships to be shown–some healthy, some not. And it asks some uncomfortable questions, ones I think we should be asking that I don’t think have right or wrong answers, it just depends on the people. It’s hard, and it sucks, but they are important questions.

Speaking of plot again, its a fun action romp. Don’t look for super deep angst or drama or mystery here, think like a good action movie. I’m not saying there isn’t angst or any of the other flavors, I’m just saying it isn’t key to the story-arc. It does provide you a sense of completion while it continues to lay the ground work for more later. It may meander a bit, but it’s important meandering to help you understand the world that she’s built. Relying on it being similar to current standings will only get you so far, you have to have those bits of facts. Her werewolves are also different, since they rely on both old legends, old Hollywood, and real wolf facts rather than the false stuff they feed you in elementary school. (Even if Savannah is awful at explaining.)

I’ll admit it, the world building is where I get lost. Not because Ginny doesn’t do a good job, I don’t think, but because a) I don’t read sci fi, or even fantasy sci fi like this, regularly enough so my brain isn’t trained for it, and b) first book in the series and unreliable narrators. I understand enough to get through this book, and then it gets significantly better as it has a chance to build, but you do have to keep your mind open and be tracking it all as you go because otherwise you are going to catch yourself thinking it’s an urban fantasy instead of future dystopian and then you are sunk. (Because sometimes labels are important.) There are reminders, so you aren’t Alice in Wonderland with the path getting erased in front of you and behind you, but the book is long enough that if you are reading in sections over several days, I figured I’d give you the warning.

If you like a fast paced book with a tight plot…eh, go elsewhere. There’s plenty of those to read, and then you’ll have to go to fanfic to get any actual emotional weight out of them. (We like Harry Dresden, we don’t see enough of him outside of panic-mode to love him.) But, if like me, you will start a 600k fanfic at midnight and stay up all night reading it… Ginny writes for you. She pays attention to the things we really want out of a long read, and gives it to you. It’s fast, it carries on so quickly you wonder how you got to where you are, and it’s full of lovable characters. I definitely suggest checking it out if that type of book is your cup of tea.

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Review: Closer to the Chest

The last in the Herald’s Spy reviews! (At least until I can afford to buy the Family of Spies series, which may be a while, yay happy homeowning and trying to get my life together over here, ugh.)

So where does the final book in this series take us? Someone is blackmailing and then threatening the noble women in Valdemar high court. While normally not too big of a bother and a part of the political game, this time there is a definite malicious edge to it that Amily can’t quite ignore. Meanwhile, Mags finds that businesses being run by women are facing an increasing level of hostility and sabotage. Both events correlate with the introduction of a new religion in Valdemar that is misogynist at its core. It will take approaching both sides of the problem, plus Mags putting himself into a dangerous situation, in order to unravel the truth for the protection of Valdemar!

First impressions, this was the story that Misty wanted to tell. Both of the prior books were just build up to it, allowing for her to introduce characters, skills, and concepts in prior books so she could get to this story. It’s the only explanation I have for the plot being that much tighter and everything being more in keeping with what I expect from a Valdemar book. This means it finishes on a high note, at least, though I fear most loyal readers are going to skip this series entirely as a result.

There were parts of the plot that worked for me, and parts that I just cringed my way through. I like the idea of the enemy being a religion that is preaching against women beyond bad stereotypical roles. I resent that it was Mags who got to go to the bottom of it, that the idea when Amily first presented it was scoffed at or seen as her making leaps in logic, and that despite it being a very female forwarded plot, it still felt like men were the main heroes of this story. Maybe I’m just too harsh of a reader, but when I figure out that these are the people who are doing something wrong, and then when a female character points it out and gets told to either wait as others investigate or until there is evidence of actual wrong doing… It just rubs me the wrong way.

On the plus side, I did find the church having two Gifted of their own among their ranks to be nice. Usually Heralds are either against normal people or people with regular magic, so seeing those with mind magic who aren’t Chosen by the Companions and how they can end up being used for nefarious purposes by a religion was cool. I also appreciated the emphasis on how expensive books were and how women were the best to copy those texts in the days before the printing press. It’s something I don’t think many people appreciate due to how prevalent the written word is in our lives, but Valdemar has always made a point of emphasizing how important the oral stories and thus the Bardic gifts are, and for good reason.

I like the idea of the Queen’s ladies, the group of handmaids, and I’ve seen similar concepts before, but ugh, I feel like there is so much wasted potential as a result. I don’t think enough was done with them besides making them a spy network that Amily has access to, and I feel like between Amily, these girls, and some of the resources they have, we could have written Mags out of the book entirely. I get the importance of male and female power balance, but come on. We don’t have nearly as many female Heralds as the focus of books as it is, being denied it yet again was just irksome.

For me, Closer to the Chest was the closest that this series has gotten to a traditional Heralds of Valdemar book. But overall, the series just felt tired. Like there were certain scenes that were what Misty actually wanted to write, or certain plots and subplots, and the rest of the book was just a vehicle to get to them. One of my writing professors once said that unless a scene excited you, you needed to edit it to death until you did like writing it or cut it entirely. I wonder if that could be applicable to this series for Misty…


Tabletop RP: Picking My Character Class

Okay, first of all, if you are a mechanic person who slaps a name, physical description (if that) and back story onto your character right before the session, turn your eyes away! The following post will horrify you!

Because I am a writer first, and damn it, I am going to pick my classes that way.

So what does that mean for me when I approach the table as a player? Well, I find what I want to emphasize. Whether that’s an interesting class, a racial variant, or if I have a personality type that I want to build, I have a “core part” that is my beginning. I’m going to use my newest character (who has yet to start her campaign) as an example. While I was browsing the races out of boredom, I stumbled upon the Vishkanya race for Pathfinder. They seemed pretty interesting, and then I saw they had a rogue archetype called a Deadly Courtesan. This class stayed in the back of my mind, and after Ginny went on a plunge into Indian mythology, I had to apply all of her babble that seeped into my brain somewhere, so I picked the Vishkanya Deadly Courtesan as my core beginning.

That being said, sometimes I’ll start with a concept I want to recreate. Hekate was actually me wanting to play a (sane) version of Diva from Blood + …she then spiraled off into her own thing, but that’s what I started with, and then she turned into this darkness specialist and I am now helplessly amused by her. Sometimes I have a personality or appearance first. I sketched out this emo-esque medieval character with some interesting jewelry, and eventually that person morphed into Jadzia as she was developed.

Alright, I have my core. Now I need to do a little fleshing out. If I don’t already have a class, this is where I figure out what class fits my core, what race, what variants do I want to apply? (This is where Hekate’s darkness specialty started.) I’m not building the character so much, because I’m not rolling stats or figuring out feats or buying items, but I’m getting a broad overview of my character. This will help me make the decisions later about skills and feats and everything else, so it’s a really important part of the character building process.

With my new rogue, I started by picking out where she was from, so I’d know what culture to do. Of the options at the time (which since shifted but my background survived), the one that made the most sense for what the heck I was doing so far from where my people would normally be, especially considering the core of a Deadly Courtesan, was for her to be a slave in a large empire. I started pulling every bit of culture I could find on the web for both the country and for her people, trying to get an idea of what her life would be like. And then I went digging for names that fit that culture. Danika. No last name.

With a name and her concept now firmly filled out in my head, I start with the mechanics. I start rolling stats, deciding what the key stats were going to be, and throwing in skill points to the skills that I think make the most sense. For a bit of random, I rolled some dice to establish her height and her weight, which ended up giving me a big clue as to her story. I mentioned to my DM that I wanted her to be literate only in her people’s language, though she can speak Common. I also decided she wasn’t just a slave, but a very recently escaped slave, based off of how underfed she was (her height and her weight were not in proportion at all), and as a result I gave her a bare minimum of supplies. I took a few Traits, just to make things interesting, and a racial variant. Since Deadly Courtesan is a bit odd, sort of a rogue/bard hybrid, I had to pick some performances. Thanks to mine and Ginny’s Lindsey Stirling obsession, those picks seemed obvious.

And then it was time for feats. Ya’ll, I suck with feats. Thankfully, because I was running Hekate around this time, I knew a bit about what I wanted to do to at least start with. I have no intention of making Danika a duplicate of a rogue I’m already running, but there are just some basics that it can’t hurt to take. I hate cross bows, so no point to the archery side of things. So Weapon Finesse and Two-Weapon Fighting it was. Planning the rest is going to have to wait until I see where the story took us, and which parts of her character I need to emphasize. (My fellow player is thinking we should take all the Teamwork Feats we can.)

So that’s the icky mechanic side done. Now I needed to decide how much fleshing out I wanted to do. Sometimes, I give my DMs a small book. Sometimes, I give them a few sentences. Danika ended up being pretty simple. She’s an escaped slave from Cheliax, very recent. I gave her parents information as well as some of her siblings (I rolled a dice for the number and sex of each, then found names). And that, I decided, was enough. In my head, her personality started to develop. She is very bitter and angry over her people being enslaved, and worse about the position she was pushed and trained into when she was a teenager. Now she’s determined to use those skills to earn her freedom, long enough for her to get her vengeance on all of Cheliax. So while she will dance and play for crowds to earn her dinner, any one stupid enough to grab her without her consent will find themselves stabbed with one of her poison kunai.

The last touch for me is a doll maker that lets me come up with a picture. Danika ended up with three, because I purchased two different head veils and a reversible cloak to help her hide from those who would turn her in as a runaway slave.

Danika Character Sheet

Danika All

Is this the only way to build a character? Not hardly. Is Vishkanya or Deadly Courtesan some favorite races and classes? Oh heck no. But for me, that’s not how I build my characters for a story, so why would I build them that way for the interactive, storytelling experience of DnD? Instead, I pick something that interests me, that I will enjoy playing.


Review: Closer to Home

(Forgive me if this is even more rambly than normal, I’m getting over one hell of a cold followed immediately by getting the flu. I delayed posting just to make sure I was in a quasi-decent head-space.)

Probably because the story about Mags’ continued to wind much longer than her normal books, or possibly as a marketing ploy, or maybe even because of a massive time-skip (like more than normal), but either way, Mercedes Lackey actually continued into multiple series with the same character, rather than others dropping in on new protagonists. I love the first series, and since I got all of the others together in a bundle, I thought I would review the second half for the blog, with a possibility of coming back to the others. (Not sure on that, they were pretty tight and I can only gush so much.)

Closer to Home picks up as Mags and the others are returning to Haven. Lena and Bear have settled somewhere with positions, and he and Amily are trying to establish themselves back into their new lives. But to their surprise, an accident that almost costs the King’s Own Herald, Nickolas, his life gets Amily Chosen as the new King’s Own…except her father, also Nickolas, doesn’t actually die! Mags managed to keep common sense among everyone, pointing out that this means there now allows Nickolas a lot of freedom, as well as providing training so that when the prince inherits, his Own is already up to speed and prepared to work with him. And they get at least partially settled quickly, because there’s a massive feud among the nobility that is threatening to send all of Haven up with it.

I was relieved that the cast of characters was changed up a bit with this book. As much as I loved Lena and Bear, the case was getting very blotted by the end of the last series. She weeded out the cast to its main core needed in Haven now as adults, and that let her add new players as needed. (Also, Lena about drove me nuts and I wanted better girl representation.) This story really gave us a chance to see a working couple who weren’t lifebonded, who weren’t well established in that relationship, and they are having to figure out how to make it work through life changes. That’s a huge thing!

I also felt like Misty did something really brave and important with this series, which is addressed the female nobility characters. Every time she’s used them before, it was either part of being life-bonded, or as part of exceptions to how everyone else behaved. This time, she was right in our faces about how the female nobility were supposed to act, and how if you didn’t have the power to do otherwise, acting against it was going to get you slapped down. I felt awful for Violetta, but with the clear explanations of the other women, you could see how she got herself in trouble and while it was unfair as hell, I couldn’t argue against it within the context of the world. And members of the world acknowledge it sucks and it’s wrong, which… since the nobility lasts for a while longer in the timeline, that’s about all it can do.

The plot….ugh, the plot. I felt like she had this one event that she needed to make happen, and then went, “Well, now what? Oh, Romeo and Juliet, with a twist!”…sorta. Like it stopped even being a nod to the plot and went full-on-commitment about halfway through and I’m sitting there going, “I know how this ends, everyone dies, why am I still reading?” She gave it like a half-twist, but it wasn’t enough to save it for me. On one hand, I’m glad she kept it to something besides wars and assassins, that is a welcome change and I applaud her for trying to branch out. I just wish she hadn’t borrowed a very tired and often repetitive plot to do it with. Even the twist was just making “Romeo” even more of a jerk than he is in the original, that isn’t a whole lot of work!

Worldbuilding wise, not a lot got added to here besides like I said, the female nobility finally being touched on as far as what is considered normal. There being “two” King’s Own Heralds is different, but I don’t think it was touched on very much. I think that probably has to do with the shoe-horned feud plot, since she usually does better with a little more original work. I do find Amily’s Gift to be a cop-out. I want to read the one-shot with Lan and see if she mentions it with Pol, who reportedly has a little bit of every Gift. Otherwise, yeah, I’m not horribly impressed with it. I’d have preferred to see real Animal Mindspeech. It’s come up I think once with a character we’ve met for any period of time? But it gets mentioned all the time.

Overall, I wouldn’t call it a disappointing read. I like the characters, and I like some of the world building elements. Considering I’m planning a similar series-split with the same character, it’s almost a study for me on what to do and what not to do. My annoyance over Shakespeare being reproduced is probably a mostly me thing (I see it….a lot…and I’m probably overly salty), so I definitely still recommend this book to others. But definitely read the prior series so you have the attachment to the characters, otherwise this may seem unnecessarily harsh.


Review: Kimiko and the Accidental Proposal

And I’m back! This time with a continuation of a series that I enjoy, particularly when it continues a one-shot fanfic that I adored and was so excited to see continued.

Kimiko and the Accidental Proposal picks up a a few years after Tsumiko, following a new reaver. This time, it’s the daughter of modest shrine keepers, with some of the women having big ambitions…except Kimiko, who is content with her lot and finds her happiness in the little things. That is all turned on its head due to a series of circumstances that lead to her courting the Starmark Clan’s youngest tribute, Eloquence, as both of them attend a trial school that is meant to bridge the divides between reavers, Amaranthine, and the rest of us. But more is going on under the surface, particularly some familiar characters, and it looks like there is more trouble on the horizon.

According to one of my professors, the hardest thing you can do is write a sequel. I can usually see where she is coming from. You have to have an overarching story for your main characters, or cause new problems without making your first book pointless. One way to get around that problem is to completely skip around and have new protagonists and antagonists, just set in the same world. That is sort of what forthright did. The focus is definitely on the Starmark clan and the school in this book, but there is such a heavy callback to the earlier book, it isn’t as cleanly divorced as the idea would imply. So this is sort of almost a third way of handling it, because it isn’t following the exact same set of characters, though they make appearances and in some cases feature heavily in subplots, but they aren’t all brand new either.

There are pros and cons to this. On one hand, it’s great for characters who barely got a few chapters to get a little more attention, and Argent’s reappearance and the outside perception of him was fascinating, I always love those sorts of things. (True fact, best Christmas present to me from RP partners is points of view from other characters besides mine in key scenes.) It also gave us an idea of how tightly protected characters like Tsumiko are protected, versus Kimiko who is on the opposite end of the spectrum. But at the same time, it felt like there was a split focus between what was supposed to be our main story, which is that of Kimiko and Eloquence, and instead a lot of focus on what was going on with the side characters, such as Akira and Suuzu. This is what is called “ensemble writing,” and this is definitely more Ginny O.’s specialty than mine, so it’s hard for me to say if it was done well or not. It sometimes annoyed me, having to dig for Kimiko or Eloquence, but it never pushed me so far that I no longer enjoyed the book, so in that regard, it was a success.

Ugh, the characters though. I loved them. Like, as attached as I was to the first group, I love these even more. Kimiko in particular is my precious baby and I want to hug Eloquence. More than anything, I like that even if they find their families are embarrassing, none of the family groupings have been the “evil step-family” sort of situations yet. I feel like that sort of trope is a crutch that a lot of YA clings to, and so I’m excited that instead we’re seeing good examples in these stories without them all being nuclear families. Even the more “comedic” character, or at least more than we’d previously had, of the monkey half-Amaranthine, half-human hybrid just made me snicker and snort in amusement, especially his line drop at the end.

Also, FUCKING MIDORI. AHHHHHHHH!!! (I screamed in person too while reading. I want THAT story.)

World building, I felt like this helped explain a lot of the gaps that I had in the first book, which was excellent, while also adding elements that I hadn’t even thought about. That’s always a huge thing to do, especially as another writer reading it. It also created some cool layers and dimension, and I love how the information sometimes came from unexpected sources. (Like….Kimiko, she was really good at it, actually.) Nothing seemed overly contradictory to me, so that was thankfully balanced out to where if something did contradict the first book, it was so minor I missed it during multiple re-reads. There are also just enough gaps left that I am still left wanting more of this world.

So, out of all of this, what problems do I have? It comes down to Akira and Suuzu. I feel like they horned in big time on the story, taking a lot of the focus away from the “main” pairing, which is ironic since part of the point of this story is Kimiko coming under scrutiny and attention where she was previously considered unremarkable, and look what is happening to her in her own book! This is probably series set up, big time, which I totally respect. It just felt like the subplot started to take over, and I’m worried that this is going to be a reoccurring problem until Akira and Suuzu are resolved. Maybe it was because of the added subplot of the wolves and the dragon representative that just threw the balance off. I don’t know…

Overall, I loved this book even more than I did the first in the series. The first had the challenge of establishing a world and altering a story I already knew, which is hard, but because this second wasn’t hampered by more than a one-shot, it had a lot more breathing room. There was a little bit of a balance issue between the main plot, the subplots, and what was supposed to be our center focus, but overall, I think this is an excellent read, even without having read the prior book. (Which is about the highest praise you can give a sequel.)


Review: Ocean’s 8

I kept meaning to watch the Ocean’s franchise, and then either something would annoy me within the first few minutes or I’d get distracted and blah. The fact it was an almost entirely male cast probably factored into this, since at this point of my life, I am highly reluctant to invest in male-centric franchises, I don’t care how much I love George Clooney. But Ocean’s 8 is an all female main cast, they didn’t cast the Bitch Who Shall Not Be Named (as I shall refer to the actress who got given the opportunity to PROVE A POINT and to fight for representation and turned it into a fat joke), and while it was in theaters, I was in desperate need of a distraction. So I went. And while it makes my heart heavy to remember what happened that night, I can’t regret getting to see a good movie out of it.

A heist comedy, Ocean’s 8 centers around Debbie Ocean (the late [or better be] Danny Ocean’s sister) as she is released from prison, and falls back into the family business. Her plans are ambitious, her old partner Lou is ride or die though with a touch of emotional concern, and Debbie has spent years making sure everything will work as long as the right people are in the right places at the right time. And without the help of a single man…aside as a fall guy, that is. And she has the perfect one in mind. A diverse cast makes up Debbie and Lou’s contacts and newcomers to their types of games, and in the end, revenge is served best cold as ice.

So the movie starts off in a very subtle way that I think is supremely powerful. It shows exactly how experienced Debbie is at these types of cons, and how she takes control of any situation she is. It proves to us that this Mastermind has the skills to back up her plan. Now cue the character meetings and setting up the bare bones of the heist. Each character, in their handful of scenes, had plenty of time to establish their situations, their personalities, and their own goals, as well as their skill sets. Were some of the backgrounds hokey? Yes, but it wasn’t just the ethnic characters. I mean, how hokey is a stay at home mom who is a fence? The Indian character dealing with a mother being pushy about marriage seems hokey to us because it’s a common trope, but it’s also a common trope because it is important to their culture and the character played with it a little at least.

We also started to establish some back story for Debbie and Lou without it being some giant info dump, it was relevant to the job. There are also plenty of secrets still remaining for the women to dive into later. The heist itself was amusing, with just enough tension to keep the story moving (no spoilers!). I was trying to figure out where the ending was going and where a missing piece went, so the end reveal to me was actually pretty satisfying, even if it was predictable. (It’s a heist comedy, I don’t go in expecting to be super-duper surprised, here.)

With any kind of ensemble cast, you always have to juggle your balls in the air carefully to make sure nothing goes horrible wrong or static. This is especially difficult with an already established franchise, depending on how tightly you want to link back to it. Now, the writers did a very smart thing for Ocean’s 8. They divorced themselves almost entirely from the main group, splintering off after a sister of a main character, and building up around here with a deliberate focus, and then they kept the numbers down. So rather than trying to expand or grow a character, they got to focus the entire movie on these different personalities shifting to slot together as a team, so no one character had to be the end-all-be-all, or worse, all of them having to grow to prevent comparisons. The weakest ones to my memory are Constance and Nine-Ball, but I think both have room to grow and develop further. I also liked how two of the characters weren’t the type we normally expect for their actresses.

Helena Bonham Carter has been pretty type cast to Belletrix and Tim Burton type characters, so getting to see her in an almost bubbly (if frail) and ditzy character was a very welcome change. And I love how Anne Hathaway’s character was trying to sell the image of who we know Anne to be, but actually was a much stronger, more assertive personality type, not to mention much smarter than initially expected by the team. Now with sequels, theycan build on this core group or add or take away, depending on the job. Personally, I hope they tie in with some of the women from the main franchise.

The setting is harder to comment on due to it being set in the real world, but I did like the different shots they used, and I thought Nine-Ball’s comments on the headquarters really was cool commentary on heist clichés. Why are they always set in old abandoned warehouses? I know, out of the way and lots of room, but still, points to the hacker that the cyber security for those places is usually awful. I also loved the different styles of gala dresses that they did for the Met scenes, and actually during the movie, I had a thought. Based on Sandra Bullock’s line about her dress being old, I thought they’d actually had the actresses pull old dresses that they had previously worn to events. Bullock has been blonde before, pulling from her wardrobe at that time would make sense to me, and I thought it was a cool touch about one-time-only dresses and getting a chance to wear them again. (Ya’ll can imagine my vivid disappointment when I found out I was wrong, I was heartbroken. It was such a good idea!!!) I did like how celebrities were there playing themselves except for our main cast, and it really helped add a touch of viewing a world that we normally only get to see on television.

This movie out of all the franchise has gotten a lot of ragging for being unoriginal or lacking in tension. And I’m just really confused. After the first Ocean’s movie, we all know the formula, there is no shocker to be had her. It’s the same as the old book serials–you know Holmes is going to solve the case, you know these set people are involved. The fun isn’t in the conclusion, it’s in getting there, like that missing piece I was hanging on to. (And I started slapping Aubrey’s shoulder over…I’m a violent movie buddy, ya’ll.) It’s about enjoying eight smart women getting to be eight smart women and getting one over a male dominated world. And even if it glorifies thieves and unethical characters… I’m okay with that, because at least it shows that we can do anything we set our minds to, a message that girls and women don’t get enough of, especially in today’s political climate. To quote Debbie, “Somewhere out there is an 8-year-old girl dreaming of becoming a criminal. Do this for her.”


Character Study: Carol Danvers

Okay, for the record, this is my version of Carol for my X-Men RP. We obviously don’t know what direction the movies are going to go in, so I can’t make commentary on that yet. But since I play her on the RP and have for several years, with the drop of the new trailer, I thought it a good idea to talk about what I love about the character, and what some of the pitfalls are.

My first introduction into Carol Danvers was actually the animated X-Men cartoon from the 90’s, where she was in a coma and a spectra in Rogue’s head that first hinted at Rogue’s backstory. And that was a really baaaad intro to her, because that version of Carol, for sake of plot, was angry, vengeful, and not very understanding. It was all of her bad traits, and none of her good ones. Many of my early fanfic readings concurred with this interpretation of the character, so I obviously wasn’t her biggest fan.

But then we were figuring out how to do Carol’s plot for our X-Men RP, and since the original plan was to kill Carol, I decided I had better play her in order to avoid upsetting someone. This required me to figure out a lot more about this character and what her overall personality was like. Some of the other cartoons I saw didn’t help much, they fell right in line with what I already knew, but then I started to finally hit a groove that helped me understand the character better. (Reading the Mockingverse fanfiction for the MCU has helped confirm that, the writer does an excellent job with Carol.)

What I found was a very confident and yet self-aware person. She had to be, in order to thumb her nose at the idea that she wasn’t going to have her parents’ help to go to college because she was a girl, which got her into the Air Force and finding her love of flying. It was really easy for me to weave in a fear of being found out about being a mutant into that background (we have a firm no-alien policy in the RP, so her powers became a mutation rather than alien shenanigans). Her confidence and leadership abilities are a completely unapologetic part of her personality–she will take control of a situation if someone else doesn’t beat her to it, and even if they do, if they are going to be a dumb ass about it, she’s going to stage a coup.

So bossy and vengeful is how an outsider would view this character if they didn’t like her, right? Except that still wasn’t the complete picture of Carol, and boiling her down to just that isn’t fair. It’s part of why she comes across as either a great character or a pretentious bitch, the latter happens when writers stop at the worst of her personality traits and her leadership capabilities. Because while she is all these things, there is also a layer of humor and playfulness that while we only see flashes of it or too much of it in other heroes in Marvel, Carol has it in this perfect balance with the rest of her personality that knows when to be serious and when she can relax with her friends.

Mind, Carol’s humor also usually lines up with mine. It’s sass and sarcasm, teasing and ruffling feathers in ways that won’t offend someone to having a fit, which requires a very good perception of personalities. I’ve also made her an absolutely outrageous flirt if she’s interested in someone, something that she’s currently been keeping toned-down for her interest’s sensibilities, but since he’s being a doofus, she’s going to have to take the lid off and push him a bit.

Alright, now to some specifics here to the RP. What part of Carol’s power set stayed? I wanted to avoid overpowering here, since we are working with the idea that mutants come in classes, with Class 5 like Phoenix, Rogue, and Remy being very rare, and that’s normally where Carol’s powers would lump her. Of all the classes we had (err, I had, I world-built like a nut), we really didn’t have someone with a Class 2 mutation–something completely totally passive, with Class 1 being a purely physical mutation such as Hank’s blue fur or Kurt’s appearance. So I kept her super strength, flight, and six-sense of immediate danger/threats for her mutation, sending the rest to the trash bin, and made them all passive mutations. What that means is Carol doesn’t know when her physical, muscular strength turns into her mutation’s super strength, and that if she goes to jump, she might also fly.

(Yeah, I cut all her energy absorption/bolts/redirection. It was way too similar to other X-Men powers that we already had, and like I said, Carol can very easily lean towards overpowered, so some nerfing was required.)

I mentioned a love interest up above, but I highly recommend not looking too much into it. Carol Danvers doesn’t have much going for her as far as romance is concerned, which you know, I’m actually okay with? She’s had a lot of bad luck, but I think it’s great that she has all of this story going on for her without romance being a key part of it. But I’ll be honest, romance is what saved her from death in the RP. For some bizarre reason that I can’t remember, I decided to give her an unrequited crush on Hank McCoy, a.k.a. Beast. And now this has blossomed into a whole THING, and while I am about crying in amusement over what happens to get them from Point A to Point B, it is also the crackiest of all crackships, and I’m okay with that.


Review: MCU Up to Infinity War (Part 1)

This is not the place for an in-depth, full out review of every movie. This is, however, where it seems to be the best place for me to pause and give some of my thoughts and feelings towards the series as the whole. Admittedly as part of a series, I have a lot of movies to get through! It will be somewhat character-focused, because as someone who wants to be entertained, I am highly dependent on the characters, it’s just a fact. And I hate the Guardians, so this is NOT the place for GG talk, you 80’s babies, I’m sorry. But I will try to otherwise be fair!

Let’s go back to the beginning, ya’ll. The Hulk movies…were not the greatest start to this franchise. In fact, there were arguments that the first one isn’t even meant to be tied in with the series. I can see either way on this one, but you gotta admit, this was the early foundations for trying to figure out which way to approach the MCU. It is hard for me to have an opinion on these, they are so fragmented from the rest and the characters just aren’t consistent all across. I vaguely remember enjoying the second one with Ed Norton at least a little, and I wish we hadn’t lost all of it when he left. There were some shards there of something that could have been cool.

But the definite marked beginning of what we know as the MCU was with Iron Man. It was literally all we could ask for out of a Marvel movie. And it helped prove that if you film it and make it good, they will come! And honestly, I didn’t mind Iron Man 2 as much as other people seem to, in fact aside from addressing PTSD, I actually think Iron Man 3 is the weakest of the films. Tony is an idiot, this is a well established fact. I do think they’ve done an excellent job of trying to not only modernize it, because let’s be honest, Iron Man needed some serious help to appear like something of the current century, but also helping with some of the culturally insensitive areas. I do think there are issues with it going so hard-core to the Middle East and portraying them as an enemy, but it also tried to cushion that at least a little. Do I think it was enough? No. Also, Tony is still an idiot, and I cringe my way through some of his moments. But he is so brilliant and so much fun, I can’t help waiting for the next part.

I went into the MCU with two least-favorite Avengers. And Thor was the second-least-favorite, so his movie coming next was definitely my make-or-break with the series. Again, I’m the opposite of normal people. Most people don’t like how serious the first two Thor movies are, and the last one is usually the hand-over-fist favorite. I’m the other way around. Thor and Thor: Dark World were amazing in my opinion. I laughed without feeling like I was dealing with a big blonde idiot with the power of a god, though sometimes I still had second-hand embarrassment issues. And then the third movie was one giant second-hand embarrassment issue at times. Thor has gone the way of the goofy doof from the first two movies, and this brings me great personal pain.

Mostly, the Thor movies provided me with my favorite side-characters. Like so many girls my age, I love Loki, if only because of what crazy amount of character they’ve given him. But I also love Sif, who represents so much to me personally, and feel like she got gipped. (I understand, Jamie Alexander moved on and has a tricky schedule for filming, still not helping!) And of course, for a short scene, we got the premier of my favorite Avenger of all under normal circumstances: Hawkeye. There is a story about the three of us sitting on a sofa, because like hell was I going through this pain fest on my own if the movie was bad, Aubrey was trying to defend herself from Tsuki who was still young and ornery at the time. And we see Barton get the bow. And I lost it. Much to the confusion of Traci and Aubrey, who had no idea who Hawkeye was. We had to pause and rewind.

Captain America remains Aubrey’s favorite of the films to my knowledge, and you know, I can see why. This was almost the perfect movie. (Howard was a little annoying and not enough women, but otherwise, perfect movie.) And while I went in with this boot-laced, stick up his butt image of Steve Rogers in my head, Chris Evans really helped me relate to this figure from comic book history so much better. He’s part of why I was able to feel such outrage during the Hydra snafu that happened a couple years ago (that I’m still mad about), because I now care about this character and I am invested. Chris really helped a lot of people who wouldn’t normally be able to get into comics find something to connect to…and he has a lot of fun, and you can tell. I’m going to miss him. (I’ll get to the sequels further on in this conversation.)

Now we hit the first Avengers movie. Back then, I still liked Joss Whedon…my change of heart will become apparent as we go. But we got to bring all these strong characters together, which means interactions and conflicts as different priorities mix. It soft reset Hulk which I think is for the best because Mark Ruffalo has done some great things with Bruce Banner that have helped modernize him and he has some great chemistry with the rest of the cast. He really brings the sense of humanity to the Hulk that makes him less ridiculous of a character. It brought in some of these side characters we’ve gotten glimpses or short interactions with to help show that hey, us normal people had things handled. We got to see this team come together…and we loved every second of it. I cheered, I wanted to put Tony and Steve in a get-along shirt, I snorted in laughter, it was a great film.

And yet, this is also where some of the big, glaring holes in the MCU started showing. The only female of the original core group called the Avengers is Natasha Romanoff, a.k.a. Black Widow, which puts the character in a sucky spot that she’s been in the comics for years too. She has to be not only Every Woman, but Every Spy, Every Assassin… They share the last one a little with Hawkeye this time, but now we have a new problem. This is where the costume reflected the decision right away that we were going Ultimate Hawkeye. And that’s a tricky spot to be in considering what happens with him, not to mention that aside from some stuff at the end, we didn’t get to see any of Clint’s personality due to the story construction, so Hawkeye fans (including Jeremy Renner, if I understand correctly) were vastly disappointed, and female fans continued to feel under represented.

Whether or not those holes will be addressed… Well, look out for Part 2.


Review: Cloak and Dagger Season 1

I swore off the television/Netflix side of the MCU after Agents of SHIELD went down the Bobbi/Hunter road. It was the nail in the coffin for me, partly because they kept bending if not outright breaking their own rules for Rule of Cool. I mean, if Bobbi is good enough to be undercover at HYDRA forever, with no mention of her being former SHIELD that converted, then it’s really dumb to have her get caught a few episodes later by a HYDRA plant within SHIELD. (Not to mention my inner shipper noped out. When Bobbi and Hunter were making tentative steps to become friends after their ugly divorce, I was fine, but then they rekindled their romance and I was just…done with it.)

But Cloak and Dagger have always been a soft spot for me. They used to make guest appearances in X-Men fanfics as filler characters, usually as kids that Rogue and Remy had in class or on trips, and when I started messing around with the MCU for RP purposes, I loved getting to use them as future Avengers. I mean, there’s so many ways that they as characters could go wrong, and there is such inconsistency with them in the comics, that doing them right has always been something I wanted to see. So when I heard that they were getting a series on Freeform, as soon as I knew what the time and days were going to be, I set up my DVR to make them my weekend splurge while I ate brunch.

And I gotta say, I don’t regret it at all.

They managed to make some much needed modernization to the premise. Rather than making them experiments or mutants, both of them usually homeless, they instead decided to focus on more modern (and less stereotypical) living situations. Tandy, rather than being straight homeless, instead uses an abandoned church as a halfway house of sorts rather than live with her mother’s problems, and possible questions as Tandy is an established thief by this point. Tyrone lives in a nicer part of New Orleans, though he grew up in a poorer area before the death of his brother. He attends a Catholic school, where he is part of the championship basketball team, and he tries to keep his head down. Their powers were caused by an accident that cost Tandy her father and Tyrone his brother (sorta), though the exact specifics of what caused the change are still unknown, even at the end of the first season.

Speaking of New Orleans, oh my God. I really wasn’t sure how I felt about the series being set there. I mean, it helps the show have some separation from events like the Invasion and the Spider-Man conflicts, not to mention the events of Infinity War, and that gives the series a lot of wiggle room. But it was also only very vaguely tied to the world as a whole till towards the very end, which for fans like me can be annoying. But then they started to weave the culture of voodoo, of Mardi Gras celebrations, of the division between the wards, and the rich history of the city itself. And I was instantly sold, especially as they began to tie in with this concept of the Divine Pairing. It was some brilliant writing and creative decisions. My only complaint is we don’t see as much of what we, culturally, associate with New Orleans, but you know, they wanted the focus on the characters, so I can respect that.

For the main characters, I loved what the two actors brought to Tandy and Tyrone. There were times where they both felt a little flat to me, but then they didn’t have hardly any moments of levity so the flatness was probably caused because we saw pretty much the normal and then the drama/anger, with nothing on the other end of the spectrum. I can’t say I miss it, though, because the story was so intense. I also liked how they balanced power, and how the characters had to discover those powers. Towards the end, I wished we saw more of how Tandy was figuring out her hope vision like she was, but I was also so happy that Cloak finally ate somebody and what that means for season two, I instantly forgave it. (…I don’t know WHY I love that aspect of his character, okay? I just do.)

One element that really modernized the series is the elements of what happened to Tyrone’s brother and where Tandy’s father worked. Racial tensions and police violence/prejudice has always been an issue, but it’s definitely gotten worse or at least we’re acknowledging that it is a bad thing and needs changed. Having Tyrone, who has moved out of the gang’s territories, still have to be afraid of police and his history with them really adds some needed depth to the character. As for Tandy, we get questions of environmental concerns while continuing to have our way of life, the balance of power, and where is our civic responsibility and where does it become a matter for something bigger than us? She also addresses domestic violence, and at least a little on the violence against women. Both also tap into how do teenagers deal with grief and pressure.

One thing I do have to harp on, at least a little. I think too much focus was put on Tandy and her mother wanting to go back to their rich, opulent life style. They tried to back track a few times and have Tandy focus on the loss of her father, but it kinda got undercut by her focus on money. I mean, this could be a character flaw, but I don’t think there was a strong enough comparable flaw in Tyrone to make it buyable in Tandy. I also wish they had focused a little more on the fact Tandy was assaulted, defended herself before she was gang raped (if I’m remembering the episode right), and yet was told that it was considered even basically because they weren’t going to arrest the boy who attacked her after she agreed to talk to police. This is a huge thing! I wish it was discussed more, for the sake of the teenage girls watching the show if nothing else.

My last note is on side characters. They weren’t the focus of the series, yay, but I loved to like some and hate others, so they served their purposes well. I wish we’d had a little more time with the actual head of Roxxon if only because I wanted more info about what they were digging for, but I’m hoping those answers will come up in season 2 despite what happened to the guy. Similarly, I was super iffy on O’Reilly’s boyfriend and was so sure he was working for the dirty cop until the end, so there definitely could have been some more work done to make us sure that we are supposed to like him and be as devastated by his death as O’Reilly. (Who, btw, I am super excited to see what happened to her in season 2 and what it’s going to be like for Cloak and Dagger to fight against her…if they are fighting against her.)

Overall, this series was definitely amazing. I wish they hadn’t tied it to Iron Fist via O’Reilly and Misty being best friends, but eh. I can shoulder aside my issues with that particular part of the MCU, and I can hope to see some more great things and ties to the rest of the overall universe. I definitely hope Cloak and Dagger continues to have several seasons, and doesn’t go off the rails like some of their compatriots.


Review: Underworld Blood Wars

Coming back to my werewolf/vampire staple with the latest entry into the franchise. This one felt like it finally bridged the gap between the first two and the fourth movie, giving me what I always look for as far as twists to the plot that I don’t see coming, while at the same time feeding into my expectations.

Underworld Blood Wars takes place an unspecified time after the end of Awakening. Selene is still on the run from Lycans and the vampire covens alike, as the Lycans continue to want possession of her daughter Eve, and the vampires want vengeance for the death of the previous Elders. For safety, Selene is not even aware of where her daughter is, to her own personal pain, and she even separates from David until forced to rely on his help. However, a new leader among the Lycans, Marius, is threatening even the limited safety of the remaining covens. A tentative alliance is struck…and then broken as truths come to light that may be the key to the future for the vampires.

Starting with the story, I felt like this was a good balance between the run-and-fight-when-cornered feelings and the direct battle confrontations that we’ve seen in all of the previous films. I also found that the backstabbing and flip-flop alliances returned, which always makes me happy since it gives a lot of potential for surprises depending on character (which I’ll get to). But we didn’t loose the depth of feelings that are always so subtle in these movies, which is more my cup of tea than anything. Selene still feels lost as a mother and especially without Michael, we have some closure at least with Michael to my eternal relief, David’s conflict between his duty to his bloodline and his feelings about Selene are told more in the silence and between the lines than straight out which is great. Even the reveal at the end with Eve, that she was stubborn and ignored her mother’s orders, makes me sooo happy.

I do feel like the world building is getting bloated at this point. Don’t get me wrong, I loved the delving into Amelia’s backstory in this film, because I feel like Amelia has always gotten short-changed. Even the Nordic coven itself didn’t necessarily upset me, because it just makes sense that there was one group of pacifists in a war like this on one side. It was the way they decided to give Selene a power boost in this film, this idea of “going beyond” and hibernating under the ice… It was just weird and not explained well, vague mostly to keep from having to explain how it worked. There are better ways to give the character a bit of a boost to be able to work around a stronger enemy. Similarly, it felt like the nerfed Selene when convenient for the plot, and then made her this demi-goddess when needed. Consistency is important! They are also raising the gore factor in the films higher than I am necessarily comfortable with. The series has always been high on gore and gross, but this one nearly made me gag in the theater.

Character-wise, you have two groups: the veterans from previous films, and the new ones. I’ll start with the veterans. We didn’t see much of Eve or Michael, but in the case of the latter, he also got nerfed for the sake of plot. I’m happy about the plot being resolved, but honesty demands I point it out. Selene finally seems to be finding her groove again after being frozen and finding out that she has a kid. We saw some of the in control, Death Dealer and natural leader, that we have always known her as, but when she let that mask down a little, we also saw the hurt woman that she was. David grew a little bit from angry, whiny Luke-Skywalker-type into a leader in his own right for the majority of the film. What bit of angsting there was…was completely understandable. It reflected the growth that was going on with two other characters, his father Thomas and the deceased Amelia, who had a chance to actual show bits and pieces of who they are under the cranky people they usually come across as.

New characters…oye, there were a lot, like there always are. I like that we had two types of female characters–both schemers, one is the politician and one is the spy-soldier, and then the wise warrior. Most of the female characters had massive agency in this film, and were either using male minions or working in a partnership. I like it. Meanwhile, the males sort of suffered a little from a lack of depth being shown. They were either good soldier-boys for the coven, or they were the biker-reject soldiers for the Lycans. The main two of these camps, Varga and Marius…eh. They were pretty much one note the entire way through. And Varga, I had slight issues with…if only because I’ve seen Bradley James as two characters so firmly in my head, I had a very hard time breaking him out of them (King Arthur, and he’s our fan-cast for Scorpius Malfoy).

As a note of wicked story/character glee of mine–The new Elders are a flip from the previous ones. While the first set were Marcus, Viktor, and Amelia, the new group is Selene, David, and the new character introduced, Lena. David is the youngest, and is almost the blood-tie nod, which is usually a role reserved for a female character. Lena and Selene have centuries of experience on him, and we know from the way David has acted that when push comes to shove, he’ll defer to Selene. It still feels more like a balance of equals than the last three had, but I just love that two of the three are now female badasses.

Underworld is probably always going to be a movie that tugs at my geek strings. It has all the things I love in films (okay, and some things that I don’t necessarily like, but can tolerate in the name of getting everything else). They are, supposedly, already working on more for the series, and if it follows in the vein of Blood Wars, I am going to be just as eagerly waiting for it. Just…lay off the super vague world building.