I remember being intrigued by the trailers for this movie but never getting around to seeing it theaters. Well, I’ve rectified that, and what do you know, a romance movie that doesn’t make me want to drill my brain out!
Due to an accident when she was twenty-nine years old (the first time), Adaline has stopped aging. Her daughter now has to pass as her grandmother. Her only friend who she has been able to keep through identities is only possible because she is blind. Adaline lives in fear of being discovered, but is she truly living? She starts to question that when she meets Ellis, who reminds her of what she once had. But there are complications with being immortal, and sometimes they come to catch up with you in the most unlikely of places.
The genre for this one is a little weird to nail down. Normally when you are dealing with immortals, some level of fantasy is involved. But this time, there’s an annoying little voice over guy who goes, “Noooo, there’s science involved!” Not real science, my sort of soft science that sounds technical and doesn’t rip me out of my movie experience by making me go, “Really?” and is from far enough in the future they may manage to avoid getting called out on it…maybe. (After self-tying shoes and hover boards happened on time, I can’t exactly argue against it.) So it’s sort of straddling the line between urban fantasy and soft sci fi with a heavy reliance on the butterfly effect.
This movie is a loving ode to San Francisco. The setting just breathes life and is almost a character in and of itself. They really took the time to find all these little historical nuggets of information and to portray them in such a way that we the audience could see why they were so loved by Ellis and Adaline. Maybe I’m just a history nerd, but I love a movie that acknowledges the past and the touches it leaves behind for all of us to discover. Plus they wove it into to Adaline’s history, and her own personal struggles, that you just felt like this movie couldn’t have been set anywhere else and been the same.
The characters are quirky and I love them. Adaline never stops learning, and she is so much fun to watch her use that knowledge to beat the ever loving tar out of the boys. I love how she holds on to her routes back in time but isn’t living in the dark ages of technology either. (I made a comment to Ginny about pluses of being a vampire, you hold on to your stuff until it becomes vintage and in and then you just have to refurbish/adjust it.) And Ellis doesn’t try to change her, he doesn’t want her to be anything less than who she is. And he can stand on his own too, as proven by his date choice, and he’s just as stubborn as she is which is probably a good thing. Even William hit you close to home because he was trying to grapple with this thing he thought he had dealt with and now it’s coming back at the absolute worst possible time.
I am a known hater of most modern romance movies, but this one is a smart one. There is definite humor, but it’s smart humor, not people being gross or overly sexual or idiotic. It’s little things like Adaline making the joke that she was reading Norwegian in Braille just to screw with Ellis, or really the entire Trivial Pursuit game, that was priceless. And what this allowed you to do was really focus on the emotionally moving parts of the movie. About Adaline still trying to mother her daughter, only to get the tables flipped. About the past, and how there are several great loves in a person’s life. Just…ugh. I could gush forever about this story. Is some of it really annoyingly vague, like what Flemming is supposedly doing in her life or has done in her life, and who the men who came for Adaline at one point were working for? Yeah, but at the same time, it kept its focus on what it wanted. On conquering fears and remembering the past without being afraid of it, to truly live.
As someone who has held on to parts of her past and struggled with healing, this movie really spoke to me on a personal level. I’m not surprised how hard it was for Adaline to stop running because I’ve been there myself. And she got a happy ending, which puts this movie about a couple of others I can think about that do similar things but go all tragic at the end. If you haven’t seen Age of Adaline and you like some smart, gentle romance, I highly recommend it.
Leave a comment | tags: age of adaline, characters, fantasy, good humor, movie, movies, plot, review, romance, sci fi, science fiction, setting, story, urban, urban fantasy, world | posted in Movie Reviews, Reviews
Okay, I had a piece of strawberry shortcake to recover from the feels. I can write this review now.
How to Train Your Dragon 2 picks up a few years after the original film. The people of Berk have welcomed dragons into their lives, mostly with the help of Hiccup… who is now struggling to figure out who he is, especially as his father is in a big rush to shove him into the role of chieftain. He escapes by exploring the world around Berk, which is now much more open to them because of the dragons. In the process, he stumbles into a conflict between two opposing sides: Drago, who is attempting to conquer the world with an army of dragons and has past history with the people of Berk…and his mother, who has spent the last twenty years traveling the world, rescuing dragon species from Drago and giving them a safe place. The role of the peacemaker is familiar for Hiccup, but he’s about to discover that he has more growing to do to become who he is supposed to be.
As far as sequel movies go, this is how you do it. It expanded upon the world, yet didn’t contradict itself. We saw several of the dragon species that were mentioned in the first movie, but we didn’t get a chance to see, as well as ones that Berk had no knowledge of. We met the counterpart species for the Queen from the first movie (the Alphas), and considering their sizes and powers, it makes a lot of sense for them to be off on their own. The answer of why we’ve only seen Toothless for a Night Fury is answered, while at the same time the species itself sees some growth. My only concern with world building and even larger plot is I don’t know what else they can do, and I know there’s a third film in the works.
The plot was very typical coming of age story, just with dragons and a missing parent reunion and stuff I mentioned in world building. It still hits you right in the emotions (obviously), since I was laughing and then crying. I did like that our three primary female characters weren’t considered lesser to the men. In fact, Astrid is at almost equal levels with Hiccup in some ways, just more down to earth and steady to help counter balance his flightiness. (Okay, yes, we do the captured female-rescued-by-male thing. She reverses it first, so I forgive it.) And there is a moment where Valka says, word for word, something that Stoic had previously told Hiccup, showing how similar they are and of equal if just very different standing.
I had two nitpicky details. I didn’t like Ruffnut and the trio of male’s subplot. At first and in trailers, it was really funny. But it just weighed kinda heavy. I mean, it did turn funny when Ruff got rejected by all the males period after the royal brat she was. But her behavior just made me cringe once I had long enough to think about it. Because manipulating men to her advantage was okay? No, just no. I’d have been more comfortable if she kept up with her shoving them away and being like, “Dudes, NO!” rather than use them to win races and such.
My other nitpick was Valka herself. I mean, I love her. But she didn’t entirely jive with what we knew about her from the first movie. It was implied she was exactly like the other women around the village, who are female models of the males and the exact opposite of Hiccup and some of the scrawnier teenagers. Wider and taller. But instead, she is sort of the same build as Hiccup, Astrid, and the twins are growing into (which is the minority on Berk). I can’t decide if they just don’t think a heavy female protagonist won’t fly or if it was to explain why Hiccup is so scrawny. So consider me a little irked, speaking as someone who has pretty much always been tall and thick. I’m also not sure how I feel about her being this voice who tried to stop the Vikings back during the war with the dragons. It also wasn’t quite right with what we established in the first film–I feel like if this was some trait of his wife’s, Stoic would have reacted differently and at least mentioned her. And the helmet made of her breastplate (ew) wouldn’t be a thing, I don’t think.
But that’s me being extremely nitpicky. Overall, the film was full of laughs and tears, excitement and wonder. It’s also completely different from the books, but I can see flashes of the influence (I think the twins are meant as a tribute to the original series, honestly). It is definitely high on my recommended film list,and I hope Dreamworks does just as well with the third and ends this series on a high note.
Leave a comment | tags: Astrid, back stories, bad humor, character, characters, dragon, female, female characters, full of win, good humor, Hiccup, HtTYD2, movie, relationships, review, still nothing like the books, Stoic, Toothless, Valka, Working relationships | posted in Book Reviews, Movie Reviews