Tag Archives: star crossed lovers

Writing: Thoughts on Love Squares and Other Shapes

Maybe it’s because I was sucked into Miraculous Ladybug Season 1 like the sappy nerd I am, maybe it’s the fact that Caley (through no fault of her own) ends up in a love-shape drama. But I’ve been pondering on this trope, and why it is awesome and yet awful all at once (because it can be both!).

Why are these things so friggin’ popular? Well, some of it is that I believe we (both the writers and the audience) like to see the characters suffer before they get their chance at happiness. Otherwise, there isn’t much investment in what happens in the end. There is also the fact that no matter how well you do your job to convey the characters, they are still moderately malleable to the reader, who may see the protag better with Love Interest A or Love Interest B or the random character in the diner in chapter three–which is how shipping wars are born. It is the reader’s prerogative and can’t really be argued with (George Lucas tried).

The hardest part about writing a love-shape comes in two parts. On one hand, you have to keep the feelings conveyed as being sincere. If the reader/audience stops believing the love interest really cares for and about the protag, the ship is sunk. This can, however, be a useful tool for the second part–resolving all sides of the love-shape-of-choice. No one can be left hanging alone and heartbroken, but it has to be done in a way that makes sense. You also have to either ease the audience into getting in the same OTP boat (fat chance) or use a shocking event to drive a big wedge between participants.

I am very cautious about the shocking event part of the trope. It can be a good plot point, or it can come out of left field entirely. A good example of the latter is the original Star Wars trilogy, thus my digs at Lucas. The shippers weren’t letting Luke/Leia go, so she was turned into his twin sister (and the writer has since tried to retcon this as being his original intent, which makes it worse really). Did it make Han/Leia easier? Yes. Did it make a  lot of sense? No, but it’s Lucas. Lucas can’t keep any of his shit straight.

As much as it kills me to give the series any good press, the sparkle-vampire series actually did a better job of the surprising event. The wedding put a nail in the werewolf-shippers’ coffin, and while its way of resolving all the sides was full of ick, she did resolve them. This doesn’t comment on any of the other numerous problems, but the writer knew how to manage the relationships to milk the drama. I will say her stand alone book (last I checked it was stand alone, anyway), The Host, actually handled the resolving the sides a lot neater, and in a way that was both sad and satisfying.

This gives shows like Miraculous an interesting twist. One of the sides is suddenly two, and makes things so much more complicated. But this can quickly go from humerous and cute to stressful and frustrating for the characters and audience members alike. I think ending the love-shape is a clear sign the series is ending as a whole, because it resolves a plot-line and eases some of the tension. But you could phase it into new drama, depending on the situation, making it more of a season-ender than series as a whole.

Now we get to the worst example of that. Comic books. I don’t care if it’s DC or Marvel, they are notoriously bad about breaking up characters in established relationships on a whim, whether it’s by killing characters for emotional impact, moving the survivor on, and then bringing the victim back to life, or just causing really dumb out of character responses to drama, it’s a vicious cycle. Now, I will say that some of the characters, they make it actually work–Remy and Rogue have never exactly been “easy to handle” in terms of personality, and both are hot-heads. Them going hot-and-cold makes sense. And if the Bartons had divorced much earlier (rather than the shitty timing of it, especially with Bobbi coming off of a form of PTSD and the list is a mile long on the bad set up here), they also would have made sense–they got married within days! Obviously that didn’t happen, but you know, benefit of the doubt here this once.

But others are just flash fiction for no reason. Why? Because some writers just don’t know how to keep the tension going if they are in a long-running series. And that’s fine! If you don’t know how to handle them, you don’t know. But that’s what blogs like this for, and others who are more knowledgeable than me. My biggest advice is this: remember that love squares are tricky to manage, so plan accordingly. Know how it’s resolving, and when and in what way/fallout if you can. If you get an unexpected extension, evaluate what happened previously with your love square. Are there still underlying trust issues? Did someone go from attracted to one person to another, because that’s grounds for serious jealousy problems. Does someone have bad habits or experiences that are coloring the relationship? Falling in love and winning their affections in return isn’t the solution to your problems–it’s only the beginning.

Advertisements

Review: Night Myst

…I really wanted to start the week with a good one for my birthday, but I’m going in the order of my migraine-reading. (Next week will be a good one though!). And Night Myst should have hit all the right buttons for me. There’s a lot of fantasy elements in it that also factor into my own series, Sun’s Guard, and that I just like seeing played with in new and interesting ways. And in that sense, this series didn’t disappoint. But for the rest… Well, let’s get into the meat of things.

Night Myst by Yasmine Galenorn follows the return of the Indigo Court into a world where vampires, were-creatures, fae, and magic users are in an uneasy truce… a truce the new Court is about to break. Enemies of the vampire’s Crimson Court (and for good reason), they aren’t afraid of ruining the lives of humans or fae to get their revenge. Enter Cicely Waters, a witch with a crappy past who is finally feeling the call to return home. But her childhood/teenage sweetheart, the fae prince Grieve, has changed because of the new Court returning in his woods, and it is going to get Cicely involved in games of politics that will threaten her physical, emotional, and mental well-being.

Okay, let’s get the ugly out of the way. I had severe, and I do mean severe, issues with the Crimson Court’s dealings with Cicely in the book, in particular the ending-up required blood giving. It was rape. Pure and simple. And the way Galenorn handled the aftermath of it was just as atrocious as her writing it to begin with. I expected better, I really did. I’m pretty open minded and have the philosophy that as long as your lifestyle isn’t hurting me or embarrassing the crap out of me, do what you will. And as a writer, I’ve got more curiosity than my moral senses are sometimes comfortable with. But the way this writer portrays the BDSM community is just as bad as Fifty Shades of Grey, only without any stupid attempts at redeeming, it’s just evil. This is further enforced by the rape scene. And having sex with your lover immediately afterward is not an instant band-aided, especially with the screwy relationship Cicely and Grieve have. Nothing like what you expect when the protagonist is of an alternative life style herself.

There. That’s done. To turn this into a more positive note, I did think the way the vampire and the ousted-fae court tried to manipulate Cicely was perfect. So many times, vampires or fae are humanized, even if the book tells us that these races are manipulative bargainers, we don’t see it. This book showed it, over and over and over again. It was impossible for Cicely to stay ahead of them, and she didn’t really bargain well with them, usually getting scared to the point of being dumb. Or being dumb on behalf of Grieve (I’ll get to this). It eventually got overwhelming, and not in a good way. Scene questions, from a writing perspective (have I talked about this, I should check) should end in, “No,” or, “Yes, but,” until the very end of the book. If there had been a couple more, “Yes, but,” endings to scenes, it would have been perfect, with us seeing the manipulative factors to the races, but less dumb reactions on behalf of our protagonist.

Characters time…only, there isn’t much to say. There was a decent sized cast, but so much of the focus was on being afraid, both of outside and inside causes, and Cicely kept running off to be alone or with Grieve, we didn’t see much of our motley crew, outside of the cousin’s boyfriend possibly being a butt-munch, and the cousin herself being messed up via ignoring her powers (which is always bad). Mostly by ways that don’t balance with the impression we’re supposed to have of deceased/missing characters. (Lots of characters are mentioned, then are revealed to be dead, missing, or otherwise not involved, get used to this.) Similarly, the other courts are so cluttered, it’s a constantly rotating image that is difficult to keep up with. In the end, the only two who are really solid…ish…as characters are Cicely and Grieve. This works for romance novels, but if that is where the focus is supposed to be, the side cast needs pruned down.

Cicely and Grieve. Oh lord. Okay, let’s establish this: I am okay with the reincarnated lovers thing. Believe it or not, this is a trope I like. I’m also okay, if it is written well, with immortal men watching a girl grow up and falling in love with her as an adult. But that’s not what happens here. Grieve loves Cicely…even if it is how Cicely will be as an adult..when she’s a child. And really starts the manipulation early. This is a particular kind of child offender, so while other people are cooing over it, I can’t get over that bit of backstory. It’s a delicate balance to write, I know (this is spoken as someone who ships Thor’s daughter with Fandral in MCU, trust me, I KNOW), and this one just strays too far. Grieve as a character is so bipolar and confusing, all it does is feed my image of him as this creepy man who needs cut out of Cicely’s life immediately. Some of this is plot related, but it again, wasn’t handled well.

Cicely herself is very much a power-fantasy, wish-fulfillment character (which makes the rape scene even creepier, actually, in a way). Judging by author pictures, it might even be a case of author insert, though that could also be wrong. Regardless, I don’t have problems with these characters, as my hatred of the term Mary Sue can attest to, and outside of her plot, I like most of Cicely well enough. I have to say most. Her background got hella-complicated with the half-fae, reincarnated vampiric fae, thing she ended up having, which irked me to have dumped all in one book, and her love for Grieve made her dumb to the point of being a complete idiot who I couldn’t like for that reason alone, levels. But if those had been toned down, and the writer didn’t steal any agency her character had with her plot, this was very much a character I could have gotten behind. Seriously, if she had focused on the reincarnated thing for this book and left the half-fae part for the second book and just foreshadowed, I’d be okay (as long as it doesn’t go too far beyond this). Similarly, I know love makes you do crazy things, but Cicely was having all the markers of an abusive relationship, which is not cool. But if she gets slapped out of it later, this could work. So not a bad character overall.

Here’s the really good note: the world building was well done. Cramped, but well done. Seriously, when the only problem I have is everything is too conveniently located in the same town for no real reason, that’s a good sign. This writer has good ideas, has a good knowledge base, and builds accordingly. The antagonists aren’t just evil for no reason. Myst has valid reasons for what she is doing, completely valid, and they are explained well. When it comes to things like being too cramped, usually why things are happening in a particular place can be explained in a future book, if there just isn’t room without making things clunky, so it’s something I’m pretty quick to forgive. Now, did the ice spider things freak me the crap out? Yes, but I’ve got serious arachnophobia. I can’t even handle dead Aragog from Harry Potter. Again, free pass (except okay, I wish we’d seen earlier hints of spiders, but maybe I had blinders on and missed them. It happens).

Will I read more of this series? No. I can’t. The vampires left too big of a sour taste in my mouth, as did Grieve. Unless the very next book involves some character deaths of a very specific nature, this series is unsalvageable for me. I honestly can’t even recommend this series to others to read. But, and this is a big but, I am willing to give this writer another shot…with a different series.