Tag Archives: Ginny Box

News: Self-Publishing and Mystic Riders!

Thought I’d give you all an update this week to start off the new year with my plans! Thus why the delay till the 1st. (And then this time next year I can wonder what happened, right? lol)

So first bit of exciting news: GinnyZero and I have launched a blog for our MMORPG! Mystic Riders MMO is our baby project, a non-combative P vs E RPG that we are approaching from a narrative-first direction. It is a game for girls, with lots of options for customization and story paths (okay, not Detroit: Become Human levels, but paths!) that is for horse lovers and adventurers who may or may not have secretly creative/girly sides…or not, the choice is literally yours. All you have to have is a love of horses and exploring an open world and ranging series of stories that will all make sense in the end. (I hope, I will have a lot of pans in that fire!)

We’ve gotten a large chunk of the story concept and mechanics figured out, so while we are in the middle of writing everything and getting an organized list what’s left that we can’t do on our own, we can be stirring up interest! Right now it’s just the blog, I’m hoping in the next couple of months to get us set up with a bank account so we can do a tip-jar sort of thing so if you all want to throw us five bucks here or there, we can commission concept art. There’s also a twitter, @MysticRidersMMO, that is retweeting all of the various game thoughts in one place (because that is required, jeebus), tweeting whenever the blog updates, and (yes, AND) will be participating in writer games once they get out of the holiday slush because…well, we keep learning new things about our characters while doing it, and isn’t it fun to learn that with us?

Unlike here, where it is basically me babbling at you once a week, there’s a little bit more going on over at Mystic Riders MMO because Ginny and I aren’t just writing for writers and readers, we’re appealing to players and developers and parents. (Apparently I have good instinct for informative carrot talks to parents…? Who knew?) So while my awkward self is providing blog posts on Saturdays, with editing and additions from Ginny, Ginny is posting on random Tuesdays with quotes, pictures of what is inspiring us, and maybe some links to music or videos as needed. We have lists and piles of inspiration stuff, we want you all to see it and get an image of what we want this game to be so hopefully we can convince others to help us make it a reality.

Another plan is for Sun’s Guard: Ten. I am out of people to query, and honestly, I’m rather annoyed at the whole agency view anyway. So I am withdrawing my last one (because lack of communication is my biggest pet peeve ever) tomorrow morning, because I’m taking the holiday at least halfway off. As for self-publishing, I have a coworker who has very generously volunteered to do my book covers, and he is honestly very good, I’m ecstatic to have him helping. If I can get his work back on my personal time track, what I will probably do is release Sun’s Guard: Ten on Amazon on either the rough-date I have the book taking place at, or on Caley’s birthday, whichever lines up best with his own schedule.

I really just need a week before the release to run it through spell check and reread for typo purposes again, as well as edit one section for questionable copyright purposes, and it is ready to go without someone giving me a concrete critique of the current draft. (And I have tried.) Once we’ve got the book cover done and I figure out how I want the summary to go, we should be in good standings. I am planning doing a digital release AND a printed release through Amazon…I’ll probably buy it and Ginny’s books to sit on my self at the same time, not gonna lie. Though lordy do the shelves need organized at some point this year… My twitter will be a few weeks of promoting the book, and then the blog will have a few writing posts that are as non-spoilery as possible (definitely for later books….questionable for the first book) about my process with Ten that I haven’t already talked about. Then it’ll return to normal until the next book, lol.

Speaking of next books, Ginny has given me a side project by accident via me getting a writer’s block on Caley’s next book, probably caused due to the stress of querying, so until I’m unstuck later and not drowning in getting other stuff for Mystic Riders set up so going back to my list of things to do for it, I am poking at a stand-alone book. My monsters-of-the-world book idea fell apart on me, showing that not all fanfic can make the leap to original pretty obviously, but this one is a lot more self contained. It might actually be pretty short, even for me, so more of a novella, but I am hoping to get it out to you all at some point too, because I’m pretty excited about it.

(Ginny says she can see one of my DnD characters and her current love interest in it, I am arguing back that there is only so much fluff the DM can give me before it gets awkward for both of us, this is how I get my fluff! And then there was digging for play-bys to use as my models, which was harder than I expected for my knight…)

So besides an MMORPG, Sun’s Guard: Ten, and possible future novella shenanigans, the blog is going to continue the same. I have a stack of new books to read, though I don’t think I’ll be reviewing all of them, I FOUND THE GINNY BOX by unpacking the closet so I have plenty of fodder that way though, and I have thoughts and feelings on several RPG characters to continue to talk about. It’s going to be a great year, if a busy one!

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Review: Death’s Daughter

Well, I keep seeing a lot of this concept, so I guess it’s fitting that there’s one in the Ginny Box…

Calliope has been living the past year as a personal assistant in New York City, waiting for her chance to get an in on the fashion industry. But then things turn weird, and she discovers that she has been living the last year under a Forgetting Charm. She is a daughter of Death himself, and now that he’s turned up missing, she’s the only option for her family to keep their immortality until he can be found. But it’s never that easy. She has three tasks to complete in order to earn her new title, and she has the Devil’s protege and her own family working against her. (There’s gratitude for you.) In the end, she has to figure out what the truth is, and what she really wants.

Okay, whew. Hard to try and summarize this book without spoiling anything…mostly because it’s hard to figure out where it is. The plot is a bit all over the place. But before I get into that, I have a style note that’s important. The way this book was written is very Princess Diaries, romance novel… annoys me to death… first person style. If I make it three chapters in this style and don’t want to kill the protagonist, it’s a miracle. But it’s also stupidly popular, so obviously I am one of the few who gets that level of irked by it. So I am going to try and remove myself from my hatred of the narration style and just focus on the actual story.

…which was a bit all over the place. Benson (known for playing Tara on Buffy, btw), actually set the bones for a good plot. Trials, love interest wants the same goal, family doesn’t believe in her/trust her… Good bones. But she kept getting tangled up in herself. To begin with, Callie was both a complete idiot and a crybaby. Now, when I say complete idiot, I mean she didn’t know things that I know are covered in multiple times in American school systems and even if they aren’t, they are enough part of the collective culture that she should have had at least a clue from that, and since this is part off her family’s business, I especially expected better general knowledge. I don’t mean I wanted her to be an expert, but she should have had some passing knowledge. And I like heroes who aren’t afraid of crying–look at Katherine in Threads if you don’t believe me–but Benson pushed it too far and had Callie a little too quick to either burst into tears or throw a hissy fit. You can write a feminine, overwhelmed character without pushing it that far.

I also wasn’t sure how I felt about the world building itself. There were a few components that I just didn’t think synced well with each other. For example, Persephone may have been Queen of the Underworld to the Greeks, but she was never a goddess of death. The Indian stories also got tweaked, but at least that was explained in verse. Then you have the Judo-Christian elements demanding immediate attention, but even that doesn’t fit with what the role of Death was supposed to be in this world. Overall, it was a lot of different mythos competing with each other and either too much or not enough explanation going on as to who was who. What’s worse is a lot of this information and a good chunk of the back story were given during info dumps, which are just hard to digest as a reader. Not that those back stories ever made a huge chunk of sense either…

There were some elements I did like of it. Talking Cerberus and his female pup, Griselda, were cute (I refuse to acknowledge the stupid nickname she got given). The kiss between the love interest with Siren blood and the protagonist being what breaks his hold over her because it was awful made me laugh. The relationship between Callie and her father was also really interesting to me, and I wish I had seen more of it at the end. Okay, I also loved hating her sisters and her mother. Honestly, I can understand why she left. Overall, there were also enough female characters that it gave us a good range of different personality types, so Callie didn’t have to be the Every Girl. Admittedly, it got pushed to the extreme, which seems to be the biggest flaw in Benson’s writing style, but it was nice to see such a wide range, since it was easily some of the best representation I’ve seen lately.

Would I pick up another book in this series, even if the narration changed to something more manageable? Probably not. Like I said, everything seemed pushed too far to the extreme for the sake of drama. It made Callie and the other side characters difficult to relate to, and it made it bounce all over the place in terms of plot. Add in the fact the narration style is one I detest, and this was  hard one to get through. This concept has become really popular in recent years–Deaths’ daughter assuming the mantle, struggling with its responsibility. I just think there are better options if that’s what you want to read for.


Review: Moon Called

So I dug into the Ginny Box (which is officially its own tag now) and pulled this beauty out. And actually, it’s pretty decent, which I know is a welcome change of pace around here.

Moon Called follows Mercedes “Mercy” Thompson, who despite growing up with werewolves and having one for a neighbor, is in fact not a werewolf. She’s something a little bit different (spoiler: she’s a play on the Native American walker myths, more on this later). But that doesn’t stop her from getting snout-deep in werewolf politics. When a runaway new wolf shows up on her shop’s doorstep, it drags her back to a world she thought she left behind and into a future where werewolves are no longer a secret…like a lot of fairy kind.

I’ll start with the elephant in the room. What the heck is a walker? Well, in Native American myth, it’s someone who has the ability to walk in another skin (usually a coyote or mountain lion). Now, this is the first real issue I have with the book. I don’t think that Natives have first dibs on their own stories, to a certain extent. There are some universal concepts that I think all writers should be allowed to play with. The walkers, for example, are similar enough to werewolves that I honestly feel like that as long as they are treated the same and don’t have ethnic ties, we’re cool. So instead of being “walkers,” with the Native ties, they are all shapeshifters, just some are wolves and some are coyotes and others mountain lions. The other alternative is if the writer his/herself is Native, in which case I back off, since I’m obviously not in a place to argue about Native culture and it’s all on them at that point if they link it to their culture or not.

Not the case here. Not only is Brigg’s a non-Native as far as I can tell (feel free to correct me, folks), but her character is supposedly half Native but ignored by her father’s family and people. That irks me. That beyond irks me. Maybe it’s because I’ve taken enough Native American studies/literature courses to know the boundaries, maybe it’s because I’ve grown up more culturally aware because of where I’m from. I don’t know. I just know that the Native aspects of this story really weren’t given the respect they deserved. If you are GOING to go there, you need to be respectful of the culture and at least attempt to give them some sugar with the bitter…instead of just bitter. At least with the first book. Maybe the rest of the series gets better?

Okay, enough with the pessimism. The good news is that Mercy is awesome. We have several powerful male characters in this book, and not only does Mercy stand up to them, she thumbs her nose at them a couple of times, which I always appreciate seeing. She’s also in an unconventional career, and even before her degree change to history, she was in engineering, which is another (sadly) unconventional choice. In the process, she never lost her femininity or her own integrity as a character, which I value. The only thing that I wish was that there were more like her. Like, we sort of get hints about the vampire lady and one or two of the females being on the same level of Mercy. But most of the attention that isn’t on Mercy is on the boys, so we don’t get to see it.

As far as the plot is concerned, it gets a little tangled up in the middle, which is normally for the first book in a series where the writer is trying to blind side you. There were just too many false trails being placed to figure out what was going on with Mac, made further complicated by the attack on Adam and Mercy going back to the pack that raised her. Add the vampires and it became an absolute monster to keep track of, especially since most of the names are on the forgetful side. Don’t get me wrong, this is much preferable to Lucas making syllables up. But it did make keeping everyone straight in their allegiances…entertaining, to put it mildly. It was full of action, though, and the main character is constantly sticking her nose into things, so you aren’t being told what happened. You’re seeing Mercy figure it out herself or being an active part of it.

This is not the first world where the fae/vampires/werewolves/whathaveyou have come out of the supernatural closet, even for someone like me who doesn’t read much urban fantasy. I do think the approach was interesting, with the set up of fae reservations and the way some fae were forced out while others made the decision for themselves. Again, I feel like this could have been awesome to relate back to Mercy being half-Native and could have been a really cool tie in, but…nothing was done with it. I’m not even sure of its place in this world, other than Briggs thinking it was a logical/cool idea. But the dynamics of the werewolf pack (as misogynistic as it is) were well-thought out, I thought, though obviously females being set as submissive annoyed me.

Overall… Eh. It didn’t completely blow my mind, but I didn’t want to throw it against the wall. It was fairly well written, if a bit troubled in places because of plot, with more zigs and zags than it needed but plenty of action. I liked the main characters fairly well, I just wish we had another strong female on Mercy’s side, rather than lurking in the shadows as existing, just not relevant. And the concept had good legs, it just…wasn’t strong enough to stand on its own. Maybe the second book will be better? We’ll see if it’s in the Ginny Box!